http://www.amelie-labourdette.com/new-dropdown-1 daily 0.75 2024-05-30 http://www.amelie-labourdette.com/empire-of-dust daily 0.75 2026-03-18 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912498416-KTL3CMUETUSEUS8XO6XR/01_amelie_labourdette_empire_of_dust_photographie_art_contemporain.jpg Empire of Dust [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912505206-AM69QBEMVCKILB2Z7MQC/03_amelie_labourdette_empire_of_dust_photographie_art_contemporain.jpg Empire of Dust [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912503209-AQJ88RA11DO7ZR9H8G65/04_amelie_labourdette_empire_of_dust_photographie_art_contemporain.jpg Empire of Dust [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912508551-IW1IG5G0TYBS0FAQNWFW/05_amelie_labourdette_empire_of_dust_photographie_art_contemporain.jpg Empire of Dust [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912509633-NUWNM26TG7ORMAGX8STD/06_amelie_labourdette_empire_of_dust_photographie_art_contemporain.jpg Empire of Dust [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912513443-80QW9Q1D088M33G3QCIM/07_amelie_labourdette_empire_of_dust_photographie_art_contemporain.jpg Empire of Dust [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912513844-UTEMN9LGCFGW1JDT4B9H/08_amelie_labourdette_empire_of_dust_photographie_art_contemporain.jpg Empire of Dust [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912517279-OEIRHA6MYQU58JHB6QJV/09_amelie_labourdette_empire_of_dust_photographie_art_contemporain.jpg Empire of Dust [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912516469-1OVAMH9WK4RQ7I0FDYGZ/10_amelie_labourdette_empire_of_dust_photographie_art_contemporain.jpg Empire of Dust [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912519505-ZW53JY1ETS9VKN5V5A3X/11_amelie_labourdette_empire_of_dust_photographie_art_contemporain.jpg Empire of Dust [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912521545-R4X2DLP2AZKR7PK3DZYL/12_amelie_labourdette_empire_of_dust_photographie_art_contemporain.jpg Empire of Dust [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912524251-EKEEAFC0SNI86KLVY3DI/13_amelie_labourdette_empire_of_dust_photographie_art_contemporain.jpg Empire of Dust [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912528819-BPE1I2W8J06W2F478E5U/14_amelie_labourdette_empire_of_dust_photographie_art_contemporain.jpg Empire of Dust [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912528798-VEWL1XUQ0K1YTA6SZD8D/15_amelie_labourdette_empire_of_dust_photographie_art_contemporain.jpg Empire of Dust [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912537442-1GZPLKAWKM8N38ALV5B8/16_amelie_labourdette_empire_of_dust_photographie_art_contemporain.jpg Empire of Dust [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912533210-CW58O840I9BJANNCOCXK/17_amelie_labourdette_empire_of_dust_photographie_art_contemporain.jpg Empire of Dust [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912539306-NEIEJPY868G22YBFM7C6/18_amelie_labourdette_empire_of_dust_photographie_art_contemporain.jpg Empire of Dust [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912542991-EQN73XLZQTI489FCG4OV/20_amelie_labourdette_empire_of_dust_photographie_art_contemporain.jpg Empire of Dust [2015] http://www.amelie-labourdette.com/new-page-3 daily 0.75 2026-03-19 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https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912879995-4CIF3SLJTDRR2K9FQ85Z/06_amelie_labourdette_Non_finito_photographie_art_contemporain.jpg Non Finito [2014] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912880459-2K4AYY1FK4SDOEVG5RQK/07_amelie_labourdette_Non_finito_photographie_art_contemporain.jpg Non Finito [2014] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912885837-G9D1BBEQGIXGGDCZQOK2/08_amelie_labourdette_Non_finito_photographie_art_contemporain.jpg Non Finito [2014] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912889119-30404WF83JMRXHM7PPH3/09_amelie_labourdette_Non_finito_photographie_art_contemporain.jpg Non Finito [2014] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912887575-YIS4WR9PXYN4PXP4GJ4Y/10_amelie_labourdette_Non_finito_photographie_art_contemporain.jpg Non Finito [2014] http://www.amelie-labourdette.com/news daily 0.75 2026-02-22 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770937066650-INRNVYEI863PJJ44KROA/640.gif NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/e69f8fe3-404f-480b-96f4-106aa7a18225/amelie-labourdette-tirennale-guangzhou-1.jpg NEWS / PRESSE - Démarquez-vous Installation view of NEO–ANALOG – Expanded Photography in the Post-Digital Era, a group exhibition curated by Michel Poivert, presented within the Guangzhou Image Triennial 2025 – Ecology of Sensitivity. Ten large-format Piezography prints from the series A Pure Spirit Grows Beneath the Bark of Stones are displayed in the exhibition’s camera obscura space. Guangdong Museum of Art – Bai’etan Greater Bay Area Art Center, Guangzhou, China. 19 December 2025 – 5 May 2026. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935862720-2ELAB4R3R86TVJLOXXY0/IMG_2330.JPG NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935861048-KKVGJ7VMPWYJEQ7LK66D/IMG_1906.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935857932-7BJERBPQIJ8ZN6AP4BPH/IMG_1763.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935859397-X99BJPH7IGGQ82XU4YS2/IMG_1905.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935862321-E1RXND0GWG83RNALD6W2/IMG_1907.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935861100-HAQKV76K9NE0BDVXRR4Y/IMG_1842.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/b39d847b-4b3d-4786-96a7-cf05f1714a74/amelie-labourdette-Guangzhou-Image-Triennial-2025-Ecology-of-Sensitivity.jpg NEWS / PRESSE - Démarquez-vous Guangzhou Photography Triennial 2025, Guangdong Museum of Art / 广州影像三年展 2025, 广东美术馆馆 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770932155353-S354CPTPCSQ1V1VH89LM/Capture+d%E2%80%99e%CC%81cran+2026-02-12+a%CC%80+22.11.11.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770932204237-XJ86VJS4T26RGR2TAOD6/amelie_labourdette-ambrotypes-cabane-repli-1.jpg NEWS / PRESSE - Vue de l'exposition CABANE Repli Toile cosmique 02 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire (H 36,4 x L 30,5 x P 3,5 cm avec cadre). Toile cosmique 01 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire (H 36,4 x L 28,2 x P 3,5 cm avec cadre). https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770932201868-9I8XYX5LQ96254TNBQ9I/amelie_labourdette-ambrotypes-cabane-repli-2.jpg NEWS / PRESSE - Vue de l'exposition CABANE Repli Toile cosmique 04 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire (H 36,4 x L 30,5 x P 3,5 cm avec cadre). Toile cosmique 03 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire (H 36,4 x L 28,2 x P 3,5 cm avec cadre). https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610965156-XO46DASICICUE9OFVVAI/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-1.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610966982-JRD79QHV21O3WA8BX11E/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-2.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610975162-8PFPYTJACGQSU59RRT9T/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-8.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610974229-DQJK9S8YML6F5ZLDV80R/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-10.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610978837-8WG96K8PTTS7ROLFP5LV/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-11.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610982542-OWHW11355HCUZLNXZN8I/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-16.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717611173630-85S2KJ8QM0Z0BAK0H3UP/4_FJSR9836_WEB+-+photo+%C2%A9+Gregory+Copitet.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610969915-ES0O5NE46SUYGD18MKOF/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-7.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610979636-DIV0L6P2A354FXQVBBB4/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-15.jpg NEWS / PRESSE - Démarquez-vous Quel que soit le cas, la façon dont vous racontez votre histoire en ligne peut faire toute la différence. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770923279038-0ALB43IX0TSJMZJ0I5EL/Capture+d%E2%80%99e%CC%81cran+2026-02-12+a%CC%80+20.03.14.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770923283532-H4ZTJUHIS0F1KZTBQ2VB/Capture+d%E2%80%99e%CC%81cran+2026-02-12+a%CC%80+20.04.58.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770923281241-H8WUWUX481294UA25VWD/Capture+d%E2%80%99e%CC%81cran+2026-02-12+a%CC%80+19.57.21.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/b97c7916-9895-4b74-ac0b-899281a01f68/Triptyque-KHTHON NEWS / PRESSE - Démarquez-vous Quel que soit le cas, la façon dont vous racontez votre histoire en ligne peut faire toute la différence. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610466340-J3DYH7VUMLQM2XUTP39K/DossierPresse-PhotoSaintGermain-2023-19.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610463158-JTEBJKAQJWP0OCV1PQ7L/Profil.Picture-PSG2023.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1716834375602-FLWMG3MQ5PZ9BXFOCC1Q/_Amelie_Labourdette_lire-les-lignes-du-monde_Triptyque-1.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1716835949059-YN93ZIO87MH0HXMIE8R0/Triptyque-Atmosphere-Vers-2-recadre-2.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717614218634-RK9WR825D8HLOAJ7X1Z8/Dossier-Presse-25RP-int-1.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717614219875-GOFI6HFU2W985MVU5PJE/Dossier-Presse-25RP-int-2.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717614226710-4G43A5RD7MN14ZIT1X1G/Dossier-Presse-25RP-int-12.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717544555963-IRQWTF8IRHRJH78GILCP/KHTHON_EXPOSITION_RESIDENCE_AGIRE+01.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717544559566-GV3SVKU1DX37IMRCK10T/KHTHON_EXPOSITION_RESIDENCE_AGIRE+03.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717608247454-JLP5XLKTC1VS3WY51MCM/KHTHON_RESIDENCE_AGIRE+01.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717608295253-QUVYN6M7VE0E7NMF29D6/KHTHON_RESIDENCE_AGIRE+04.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717608295054-BA48L6K1V59RVBAM8DIL/KHTHON_RESIDENCE_AGIRE+03.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717608300922-I3TYKQFCAXSMMEC1G8M5/KHTHON_RESIDENCE_AGIRE+05.png NEWS / PRESSE 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https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717609362966-WWR0Y0E2WGXKU1MRILOC/IMG_7230.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717609364431-MLPLA90PIKAREJUEQA0B/IMG_7232.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717599296724-MAMVNZURJ943UZ0Z07IG/Carton_Concordance-des-temps_BAT-1.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717602979389-HY0A9UPZ07ZYQSTIPF4F/Galerie-Robet-Dantec-01.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717602983346-HLQXMJGEDS0E4BRALK25/Galerie-Robet-Dantec-02.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717602988847-VVPVPNR2XILP8R0GRI3V/Galerie-Robet-Dantec-05.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717604574631-32TPSW6MMLVNGUA3JVF2/Galerie-Robet-Dantec-10.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717602992500-GV05UBQTQYJDI3ILA3QM/Galerie-Robet-Dantec-07.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717604575197-2VVSSWM4K0TPPZVPEM9P/Galerie-Robet-Dantec-11.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1666653173418-MTFTA2QBUREMJ218NRTG/CARTON-INVITATION_Un-pur-esprit.jpg NEWS / PRESSE - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1666653933366-OMOZH1QUVUUUR4ALDAKZ/03.jpg NEWS / PRESSE - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1600268052231-QH29MVZ0NKV419KS3E1X/Capture+d%E2%80%99e%CC%81cran+2020-09-16+a%CC%80+16.52.07.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1600268080405-LE58TU3XB6OW73VX3MUE/Capture+d%E2%80%99e%CC%81cran+2020-09-16+a%CC%80+16.52.32.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1600268111428-1HDWYIRRPRGI2OZ8DYPO/Capture+d%E2%80%99e%CC%81cran+2020-09-16+a%CC%80+16.52.54.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1600268141528-COASLMJQ0HGCH8SDNM1G/Capture+d%E2%80%99e%CC%81cran+2020-09-16+a%CC%80+16.53.12.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1600268165921-M4EXYQ9TAVAI7J4J7B5X/Capture+d%E2%80%99e%CC%81cran+2020-09-16+a%CC%80+16.53.26.png NEWS / PRESSE 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https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1465230094869-HSMONIRV4X8GB2TR0TEK/image-asset.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1461592915684-L88JZ8LKK7QQ832CICHD/image-asset.jpeg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1461593833760-1GJURV7C4X289XURL63Y/image-asset.jpeg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1440607745464-8Q5W2X3NJUMFU099XA2W/Carton-exposition-Empire-of-dust.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1436977688933-UCDK15I8BAY80O4UA4KN/image-asset.jpeg NEWS / PRESSE http://www.amelie-labourdette.com/curriculum-vitae daily 0.75 2026-03-16 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/f84f0634-1379-4f95-8fe6-7dff6e7054d9/amelie-labourdette-tirennale-guangzhou-10.jpg CONTACT / BIO / CV / DÉMARCHE - E-mail amelie.lab@gmail.com https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1701790304568-LP6PGDVDRR1U9YMP81NI/Amelie_Labourdette_lire-les-lignes-du-monde_Triptyque-C-close-up.jpg CONTACT / BIO / CV / DÉMARCHE - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.amelie-labourdette.com/drawings daily 0.75 2026-03-19 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1448275942798-YKDPBYVS5V82H9XKK5UR/Dessin01.jpg État De Possibles [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1448276011117-RRAPSQQRJLWCKE0U90RY/Dessin02.jpg État De Possibles [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1448275978434-R2OUZDMES9K8NBWQ5W13/Dessin03.jpg État De Possibles [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1448276779000-UVN27ZCIRGJ9O1LE1HBR/e%CC%81change+de+mail+138.jpg État De Possibles [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1448276835107-GMW34HM7NGGZ98406T56/e%CC%81change+de+mail+139.jpg État De Possibles [2015] http://www.amelie-labourdette.com/traces-dune-occupation-humaine-traces-of-human-occupation daily 0.75 2026-03-19 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568062070402-SQR9H6JKXSCNQNVGA1JN/_Degrade-REC-route-redeyef-01.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION», Atmosphere #1, On the old Redeyef-Tozeur road, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530185646018-XN5M2K0Q8NORFGF0DJQ2/01C.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION», On the old Redeyef-Tozeur road, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568060671772-PSO7NXD39UJGYVVHAJ7E/_Degrade-REC-monolithe-redeyef.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION», Atmosphere #2, Redeyef, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530185748315-JH84F4MOWRHNJWLGV622/02V.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Vestige - metal promontory, Métlaoui, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530186132308-AZE4ADWCBE15W7BDJ4WD/11V.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Military barracks of French Protectorate, Redeyef French Protectorate, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568061745456-FV3DCPRV00UHYZLCK7Q4/_Degrade-REC-caserne-redeyef.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #3, Redeyef, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530185767975-2YLVG3CXIZW7313ME33A/03C.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Military barracks of French Protectorate, Redeyef, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530185693643-WI7IMO8MYT0BQB6C8PND/03.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» House of labourers - Older mine of phosphate, Redeyef, French Protectorate, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568057696647-XJ5LWT67D281WTIP7JVQ/04_Degrade-REC+copie.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #4, Redeyef, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530185828650-1J5N9SOY1IKF2O1CMODG/04V.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Bascule bridge 1 - Older mine of phosphate, Redeyef, French Protectorate, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530187473740-MN3QMTBI6H0HMRJQQVLW/05couleur-nettete-Vertical-Aplatit-OK.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Bascule bridge 2 - Older mine of phosphate, Redeyef, French Protectorate, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568061167107-131ROLJ2A50HVAQRABFZ/_Degrade-REC-riviere-polluee-metlaoui.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #5, Metlaoui, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1552151567534-0GHN1X5P9KE13SEX7X5M/5C3+valle%CC%81e-rivie%CC%80re-pollue%CC%81e-ok1-FINAL.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Valley, river polluted by phosphate, Metlaoui, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1552151567699-GGVQZSASHJPUC8DHJ0IC/5C2+vallee-riviere-polluee-3OK-FINAL.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Valley, river polluted by phosphate, Metlaoui, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1552151612576-5U5AJS6HZ3KIJPYBY07V/5C4+PONT-BETON-PYRAMIDE.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Valley, river polluted by phosphate, Metlaoui, French Protectorate, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568061883226-K09435MFH8VA2POKTHZS/_Degrade-REC-minne-Mdilla.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #6, Mdhilla, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1552151685162-LVTDLYQ2NOWNAXPMRHD2/07C1Ruine-village-ouvrier-Mdilla-OK.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Remains of the workers’ village of the former Mdhilla mine. French Protectorate, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1552151633277-8XHOK083MBEPISBNTZZL/5C6+vestiges-mine-mdilla-2OK.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Remains of the old mine, Mdhilla, French Protectorate, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1552151594007-URDN8DZFTT1IMNA62KXD/5C5+vestiges-mine-mdilla-ok.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Remains of the old mine, Mdhilla, French Protectorate, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1552151653880-PFYRNLZQ6IQQO5WUTHF6/07C2+Mosole%CC%81-Mdilla-01OK.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Remains of the mausoleum and the workers’ village of the former Mdhilla mine. French Protectorate, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568062883518-JX6IROVBM16R4CSVYNU5/Ciel-ecole-nomade-vers2-OK.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #7, Moulares. Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1552151494889-RF8ITBW176G5D9I17H5G/03C3+ecole-nomade-vers2-OK.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Former nomadic school, French Protectorate, Moulares. French Protectorate, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568061192818-4M2FBHNJ2PRENOX8IYZY/_Degrade-REC-monument-redeyef.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #8, Redeyef, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530185953832-JCA2TMPRQIDI5DDNYWJL/06C.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Memorial to the Fighters of the Anti-Colonial Armed Struggle, Redeyef, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530185887110-TIYAU9DJFWZ6TEU8TFLE/07.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» House of the 60’s, Gafsa, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568061219250-XUEB4HRLR86GHRAACR58/_Degrade-REC-carriere-a-ciel-ouvert-redeyef.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #9, Redeyef, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530185954330-4GJ5X8SQEKTYYY1Q2TW0/07C.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Open-pit Phosphate Quarry, Redeyef, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568057986999-GDG5ZXE99A4KPVP1J0DO/_Degrade-REC-cabanes-redeyef.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #11, Redeyef, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530186119653-JK8E2E1KT0XZRT7J9XRK/08C.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Hut, social Movement - CPG truck blocking point, Redeyef, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568056782413-EFBOU9QO1H4HSIIEK97E/Tente-bloquage-ok.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Hut, social Movement - CPG truck blocking point, Redeyef, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530186675293-87C7KX09AG1CCY2FZRIQ/21.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Concrete modules for water pipes « Lei »: « No » in Tunisian Arabic Tunisian Revolution, Redeyef, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568061522230-1H97WKOW63ME1670933V/01_Degrade-REC.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #12, Redeyef, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530186018741-KB9NPASYFVWOMATRCS6W/09C.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Blue flowers (plastic waste) - during the social movement of garbage collectors, Gafsa, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568061427659-8B29VUW8PBQ8E59LED4Y/Usine-TSP_Degrade-REC2.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #13, Redeyef, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530186172013-Y4CLVXA2W0IDD7EBBL8C/12V.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Production plant of TSP (production of sulfuric acid, phosphoric acid, triple super phosphate), Mdhilla, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568059300999-WZXEQZQ8592ZWOP1CDD5/10V_Degrade-REC-monticule-PH.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #10, Redeyef, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530186096645-M0DOABVNEBDNK5IFDQ88/10C.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Phosphate mound - Open Pit, Redeyef, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568061924465-3DG4WQHSVB883XGKTP0G/_Degrade-REC-Terril-phosphate-mdilla.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #13, Redeyef, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530186251967-ZUA4SH32HQ5JSY4ALTYY/13C.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Production plant of TSP (production of sulfuric acid, phosphoric acid, triple super phosphate), Mdhilla, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568058520959-X65P7862L1IKZC479D7A/source-polluee-panoOK-PT.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Source polluted by phosphate and waste, Redeyef, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530186065175-UDD5Z0M9MRN69H544TP3/10-tirage-BAC.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Remains of construction - entropy, Gafsa, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530186202946-RNFXP1RYSKKCUB4B1KD7/14C.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Open-air dump - ashes, Gafsa, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568062219074-TEJXL32CIEWJSI6PF9H7/_Degrade-REC-montagne-redeyef.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #15, Jebel Majoura, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1552151909316-QKXWWFIDH7724S1QHWT6/17C3+Montagne-Redeyef-1ok.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Mountains, Redeyef, Ancestral age https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568062183020-1MP9XDBR5G2F8ODIRQ5H/_Degrade-REC-vale%CC%81e-hermanion.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #16, El Guettar, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1552151766349-TDSCU294WUT9OAQF3A85/15C1+Valle-hermanion.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Mountainous massif of Jebel Orbata, Mousterian site where the Hermaïon of El Guettar was found ( Tumulus of limestone and flint, associated with animal bones dating back more than 40,000 years and dedicated to a water source that is now dry. It is one of the oldest sanctuaries in the world), El Guettar Mousterian period of the Middle Paleolithic https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1552151784980-UOUXVP1BQQC1XQN0YCD0/15C2+El-Galla-OK.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Lalla Galla (sacred hill near the Mousterian site of the Hermaïon where the population comes to practice a pagan fertility ritual), El Guettar, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1552154665595-79VMQWGQPAABW0NYEEKP/15C3+restes-rituels-OK.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Ritual remains overlooking the Hermanion Valley, Lalla Galla (sacred hill where the population comes to practice a pagan fertility ritual), El Guettar, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568062123037-C6NA74G00ORO878AMGAT/_Degrade-REC-oasis-moulares.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #17, Moulares, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530186310518-75XE7N9P657CAAAMB91W/15C.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Artesian source - natural oasis (around which are found the remains of a continuity of a human presence from the Upper Paleolithic to the contemporary period), Moulares, Ancestral age https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568062727533-MUR0WUV6AP4AE1MT0AQS/_Degrade-REC-vale%CC%81e-hermanion.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #18, El Guettar, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1552151861077-YG7M1ZGZGNM76ONAWC18/16C1+Ramadia-1FINAL-OK.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Rammadiyat (ashtray): deposit of the Capsian civilization (ashes and bones of humans and animals, snail shells, remains of the lithic industry, bone industry and engraved ostrich egg shells, probably used as crockery or perforated and used as ornaments), with a Tumulus (neolithic burial) at its top, Moulares, Upper Palaeolithic https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530186339209-UPVTCOJ9TUIHUHSFK7IT/16C.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Tumulus - Sepulture The Dead’s world, Moulares, Neolithic age https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530186248969-8KRPP6PGIMY53N5PSAEO/15-couleur-nettet.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Tumulus - Sepulture The dead’s world, Moulares, Protohistoric age https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568062253882-YOC5P3V5W9G7OFVX4G8K/_Degrade-REC-murs-alignement-de-pierres.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #19, Moulares, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530186406195-PWG6J8FRMQKPB132U8XD/17C.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Alignment of stones - first building Separation of the world from the dead with the world of the living, Moulares, Protohistoric age https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530186469862-0QE0ZRL5U16FFOVW12XM/17.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Henchir Louiza Mausoleum, Moulares, Antiquity Period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568057187744-GMEUNZ1689PMFIQ00T2J/10C_Degrade-REC+copie.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #20, Redeyef, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1552151878968-T2T5RLTJ4UJV7WOERFAE/17C4+maison-troglodite.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» House Troglodyte, Antique city, Redeyef mountains, Antiquity Period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1552151900963-V73J6LIZ1ROHR61TZ4ZS/17C5+redeyef-vestiges-cite%CC%81-colones.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Remains ( columns), Antique city, Redeyef mountains, Antiquity Period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568062293832-BYEPLEZ2UMODRPGZ6Q6E/_Degrade-REC-vestige-montagne-majoura.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #21, Jebel Majoura, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1552151841728-TAC2SVINX5XBE0N4QL3N/17C2+Montagne-refeyef-2.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Mountains, Redeyef, Ancestral age https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568056707753-NLSUPEHSMC09EM8VHYOR/vestige-cite-ancienne-OK-vers2.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Remains of an Antique fortified village, Jebel Majoura, Antiquity Period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530186543387-EOOGE490QCE2HYYDWAD6/19C.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Julius Rogatus Mausoleum, Sidi Aïch, Antiquity Period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568062658060-GB42ZKAJ9Y5TZNFC7JE2/_Degrade-REC-Mausolee-Hr-es-Somaa-sidi-aich.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #22, Sidi Aïch, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530186448817-ILUJY92P28T4QVFBW36H/18C.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Hr es Somâa Mausoleum - Geodetic Mission 1899, Sidi Aïch, Antiquity Period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568056745934-7JTM3G9DXIWBCXI4UZW2/Samma-mausolee-1-ok-carre-final.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Hr es Somâa Mausoleum - Roman inscriptions, Sidi Aïch, Antiquity Period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568062383480-THLGWUEH1DBJU7N9JUW1/_Degrade-REC-puit-antique-betone-sidi-aich.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #23, Sidi Aïch, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1552151969542-TRU5Z84YCZEQMT0X2PZ0/19C+2cimetie%CC%80re-OK2-final.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Ancient cemetery of an Antique fortified village, Jebel Majoura, Antiquity Period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1552151939120-7YQ5XDFW1O5IVTGKEXVS/20C1+Puit-antique-betone%CC%81OK.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Antique Well, concreted during the French Protectorate, Sidi Aïch, Antiquity Period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568062329935-X9IDF5DPHG4BVKBY4P3N/_Degrade-REC-ruine-Gafsa.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #24, Gafsa, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1552151751602-XRMCRJE75KM3FCF8W7QK/10C+3+Pylone-OK.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Broken pylon, Gafsa, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1552151698247-I4940IHO87TVZG4HX4N8/10C+2Ruines-01ok.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Construction Career - Building Ruin, Gafsa, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530186534518-1T8KE7QHI6H4SB4Q2YZJ/20C.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Construction Career - Building Ruin, Gafsa, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530186582597-3TVRWSABCUIT1GX4VHZ7/21C.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Modern house, between Gafsa and Moulares, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568062868128-SRJJVV20BL5EFAS2T9YK/_Degrade-REC-modules-beton-Moulares.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #26, Moulares, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568054743021-NTH14FTA2I98FORTHMP7/Module_beton_2_DSC5039-3-vers2.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Concrete modules for water pipes, Moulares, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568060026110-E4BM1DW3UJ1D6CXQ6R0A/pompe-TozeurOKFINAL2.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Thermal water cooling and filtration building, Tozeur, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568062834680-KEA5AA39Y6Z1Z2FTZK4I/_Degrade-REC-barrage-sidi-aich.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #25, Sidi Aïch, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568056000658-PAWAKMI7XRZCB78T7ZMO/Barage-Sidi-Aich1-FINAL.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Dam, Sidi Aich, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1552151966432-QLMY5GYGZC04A00L5F38/22C+4barage-Sidi-Aich-3-OKFinal.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Dam, Sidi Aich, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1568061223451-UQO7D3LDSNYXNYD6X8OH/_Degrade-REC-reservoir-d%27eau-el-guettar.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Atmosphere #27, road between El Guettar and Kebili, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530186669856-W9BI4426NE7P9EDFS3BB/23C.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Water tank under construction, road between El Guettar and Kebili, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530186716697-ZOVI14O2FLHRO6OUS58J/24C.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Thermal water cooling and filtration building, Zaouia oasis, Contemporary period https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1530186788638-WJZA7LJ6IRLET0CQ8NKW/25C.jpg Série - Traces d'une Occupation Humaine [2016- 2018] - «TRACES OF A HUMAN OCCUPATION» Thermal water cooling and filtration building, Zaouia oasis, Contemporary period http://www.amelie-labourdette.com/ksmos daily 0.75 2026-03-17 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197390638-M3QN1UG1XKRKCDFC0ERI/KOSMOS_01_White+Sand_Nouveau-Mexique.+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #01 White Sands National Park, Tularosa Basin, New Mexico. White Sands is a desert of white sand, constituting the largest gypsum crystal desert in the world. Amidst the white dunes that stretch as far as the eye can see, landmarks fade and disappear. Ancestral lands of the Mescalero Apache tribes, their stories describe this white desert as a place of predilection for the emergence of visions. The inhabitants of the Tularosa basin include Palaeo-Indians (12,000 years ago), people from the archaic period (4,000 years ago), the Jornada Mogollon (between 200 and 1350), the Mescalero Apache (between 1300 and today), Spanish and later Euro-American settlers who operated farms, ranches and mines from the 19th century onwards. The region also has a rich biodiversity, with more than 800 animal species. The park, which is only 41% of White Sand, is entirely surrounded by the largest military zone in the United States, White Sands Missile Range. This zone is particularly known for having been the site of the explosion of the first atomic bomb, Trinity, in 1945. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197743633-TVOZVEVDR8WXM342GONL/KOSMOS_20_Meteor+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #05 Meteor The origins of life on Earth remain uncertain, and the exact date of appearance of the first cell is not known by scientists. What was the source of the «elementary building blocks of life» (amino acids, nitrogenous bases and other monomers), the first essential step in the origin of the complex polymers (proteins, nucleic acids and other macromolecules) necessary for the formation of the cell itself? Scientists studying Earth and the solar system propose three mechanisms at the origin of this first step, three origins that are not incompatible. An atmospheric origin, a geological origin and an extraterrestrial origin. Comets and meteorites constitute this third possible source of the origin of the molecules of life. The rains of meteorites and cometary material on the primitive Earth could have brought quantities of organic molecules, prebiotic molecules with enzymatic functions, which would have favoured the emergence of life. After landing in a suitable terrestrial environment, these systems would have continued to evolve into living cells. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197509867-EDFM5V6NX0RM7B8LTIEM/KOSMOS_06_Zabriskie+Point_Californie+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #03 Zabriskie Point, Californie Ancestral and sacred lands of the Timbisha Shoshone tribe, still living at Furnace Creek. The darkness of nightfall brings to mind a strange vision of a mineral landscape from the beginning of the world, reminiscent of the images brought back by the space probe from the planet Mars. In the very beginning, the Hopi say, there was only Taiowa, the creator, the rest was infinite space, no beginning, no time, no life. Yet infinity conceived the finish: «I produced the dynamics of the forces of creation, like a workhorse at work.» Then Taiowa conceived Sotuknang and called him his nephew. Sotuknang said: «To build Tokpela, the first world, to shape these streams, to link the forces released by Taiowa, I need a partner, a strength, an energy, a mother for this world to come. «This was Kokyang-Whuti, the «Spider Woman», the feminine creative principle. Together they shaped the hot, bubbling, smoking mass called the Earth, and then Kokyang-Whuti wove the web of life on Earth. Planetologists go back to the origins of our planet by studying meteorites and Martian rocks. The observation and analysis of these meteorites and rocks are used to retrace the geological time of our planet and to learn more about its earliest moments, traces of which have now disappeared from the surface: 60% of Mars’ territory is the age of the land on Earth, which was contemporary to the appearance of life. Mars is like an open book, the archives of the lost past of our planet Earth. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197529308-DS2A31AYY8XMJGCHC6H4/KOSMOS_09_FLW+Observatory_Arizona+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #04 Optical telescope, Fred Lawrence Whipple Observatory, Arizona «Archaeologists of the universe», the astronomers «dig through the layers of light», their eyes raised towards the sky, they are looking for the origins of the world. The American Southwest is a multi-memorial place, memory of the universe, of the cosmos through astrophysics, civilisational memory through archaeology, where different «doors to the past» emerge. There are both numerous astronomical observatories and many remarkably preserved remains of native civilisations. These two levels intertwine, astronomical research, an archaeology of Indian foundations. The astronomer scrutinizes the sky, the archaeologist excavates the ground. These researchers share the same obsession, that of the origins of both the universe and civilisation. Astronomical observatories host researchers in search of the truth about the origin of the Universe, while archaeologists study pre-Columbian civilisations. The superimposition of celestial and subterranean strata is an important aspect of the Pueblo societies’ cosmovisions. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197602668-81P35UAM72FAPVJNHF4F/KOSMOS_12_Very+Large+Array_NM+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #05 Very Large Array, Radio Astronomy Observatory, New Mexico. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197423581-VI3LLDZAH9118ZHLQRY8/KOSMOS_05_Canyon+de+Chelly_Arizona+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #06 Chelly Canyon, Arizona https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197436197-XC5S41LV2NS4QDCSONSH/KOSMOS_04_Blue+Mesa_Pertrifed+forest_Arizona+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #07 Blue Mesa, Pertrifed forest, Arizona The Hopi conceptualize the cycles of time as ages of the world. Their narratives describe three previous global cataclysms. According to the account of the origins, the «First Peoples» emerged from the underworld, from earth’s bowels where they had taken refuge, welcomed by the Ant People, following the collapse of previous civilisations and the destruction of the three Worlds that preceded the present one: The first world, Tokpela (Infinite Space) was annihilated by fire, - a comet, an asteroid attack or a number of volcanic eruptions. The second world Tokpa (Dark Midnight) was annihilated by a major ice age. Then the third world Kuskurza was submerged and destroyed by a gigantic deluge, huge floods. These three global destructions were not the result of simple random terrestrial changes or astrophysical phenomena, but the consequence of collective transgressions or negative human actions in disregard of Mother Earth. Finally, the fourth world, Tuvakachi (the Finite World), is our world today. These first three inhabited worlds can be interpreted as a pile of caves crossed by a unidirectional axis, that of time and the succession of worlds to be rebuilt, and yet always referring to the same space. Undoubtedly they are nothing other than our world but situated in different times: a «world» would be a cycle of time. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197374976-K06PCW3C3CPO2IEA9K7D/KOSMOS_03_Carlsbad+Caverns_Nouveau-Mexique+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #08 Carlsbad Caverns, New Mexico. In all the pueblo stories (Hopis, Zunis, Acoma, etc.) about «the origins of the world», the myth of emergence is central and recurrent. The place of emergence of the «first peoples» in the «Fourth World», our world today, is called the «Original Sipapu» or «Ancestral Sipapu». According to legend it is located in the Grand Canyon, near the confluence of the Colorado and Little Colorado Rivers. The Sipapu itself is said to be a natural salt dome, six to eight metres high, topped by a permanent hot spring. In the Pueblo culture, the horn stalagmite is the symbol of the «cave of beginnings». It refers to the stalagmite of the Salt Cave of the Grand Canyon, the «Original Sipapu» where the Hopi and Zunis say they emerged. According to legend, the Salt Cave is the home of Maasaw, the deity of fire, death and ruler of the underworld, whom the «New Fire» (Wuwuchim) ceremony honours. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197558685-1CB8HP2M1HUEAW25OEAE/KOSMOS_10_PetroglyphNationalMonument+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #09 Spiral petroglyph, Pueblo ancestors, basaltic (volcano) rock fields, Petroglyph National Monument, New Mexico. Petroglyph National Monument is a volcanic escarpment made of basalt. It contains an estimated 20,000 to 25,000 petroglyphs carved by the ancestors of the Pueblos. Most of them seem to have been engraved between 1300 and 1690 AD. The symbol of the migratory spiral can be found on numerous petroglyph sites in the southwest. It symbolises a circular conception of time and represents the circular migration patterns of the Native American tribes to where they now live, a metaphor for the journey of life. The centre of the spiral is the «original sipapu», the place of passage and emergence in the Fourth World (our present world) of the Earth’s «First Peoples», the Hopi, who had taken refuge in the Underworld during the destruction of the previous world, the Third World. After emerging in the Fourth World, the ancestors of the Pueblo peoples, divided, creating different tribes, and began a series of great spirals around the Earth (across the country) before reaching their final destination, their current home in northeastern Arizona, the central (middle) place, the «right place» in the «middle» of the «middle world». https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197464805-YR5C4QNF3BVK9PHDP7EO/KOSMOS_07_Carlsbad+Caverns_Nouveau-Mexique+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #10 Carlsbad Caverns, New Mexico In the traditional cosmological model of the Pueblos. Here life is expressed in the matrix of the earth, represented as an immense cave, a hollow and fertile space. This subterranean matrix is similar to a breathing and living cave, a place where life emerges. This living cave is the home of Muy’ingwa, the spirit of germination. Its habitat is described as a luxuriant world of flowers, full of life, with dragonflies, butterflies, birds... Muy’ingwa is the underlying energy and breath of life (the hikwisi) of all living beings, it allows the germination and growth of flowers and maize. It remains at the centre of the underworld on the Sihchomo, the «Hill of Flowers». Its breath of life emerges through the opening of the Sipapu, which designates a small hole in the ground of the kiva, the ceremonial chamber and place of worship for the Pueblos. The Sipapu symbolises the «place of original emergence», but also the flower, it is the portal and passage between the underground world and the middle world (Fourth World, our present world). https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197496782-QKHJDD1ENMLIIKGFSWTS/KOSMOS_08_Montezuma+Castle_culture+Anasazi_Arizona+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #11 Montezuma Castle, Sinagua culture, Arizona The Sinagua was a pre-Columbian culture that occupied the centre of Arizona between about 500 and 1425 CE. Nestled in an alcove in a cliff above the Verde Valley, archaeologists believe that Montezuma Castle was built between 1100 and 1350 CE. Combining hunting and gathering with subsistence agriculture, the Sinagua created a complex society in Montezuma Castel for over 300 years, which was very much inspired by nature. The Verde Valley is an ecotone, where plants from north to south meet and intermingle. These plants played an essential role in the life of the people of Sinagua. Several contemporary Hopi clans and Yavapai communities trace their ancestry to immigrants of Sinagua culture from the Montezuma Castle area. Palatkwapi, the mythical city, central to accounts of Hopi migration, colonization and dislocation, may never have existed and escapes precise localization, but some believe that the city was located at Montezuma Castle in the Verde Valley. Evidence demonstrating the continuity between the Sinagua culture and the Hopi tribe includes archaeological, anthropological, linguistic, folkloric and oral traditions. Members of these clans periodically return to these ancestral homes for religious ceremonies. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572198051752-8T989JYSDD9DP5RGFSSB/KOSMOS_33_Arbre_BlackHall_Arizona+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #12 Sycamore tree from Arizona, Arizona. The Arizona Sycamore (Platanus wrightii) is a relic, a reminder of the distant past. The green valley and site of Montezuma Castle are the best places to discover this member of the plane tree family in its natural state. Sixty-three million years ago, when the climate was cool and humid, these deciduous trees covered Arizona and when the weather became drier, they retreated to nearby areas such as perennial rivers and canyon bottoms. Amazing adaptations help the Arizona sycamore survive from growth to old age, at least 200 years. It is home to a myriad of species native of Arizona. During the warm, dry summer months, sycamores provide shade and relief for all life along riverbanks. The people of the Verde Valley have used the softwood of the Arizona sycamore tree for thousands of years. The ancestral peoples of the Sinaguas culture used these trees to make many of the supporting beams for the Montezuma Castle. Some of these beams, which were hoisted 30 meters above the valley floor, are estimated to weigh over two tons. These wooden frames prove that the Sinaguas were phenomenal builders and engineers. Unfortunately, more than 90% of Arizona’s riparian areas, the habitat necessary for the survival of the Arizona Sycamore, were lost. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197626819-LDG3GL68YAM4XQZQ0WXD/KOSMOS_13_Meteor+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #13 Meteor The Anasazi (or «Hisatsinom», ancestral Pueblos), treated meteorites with reverence. One of these sacred stones was discovered in the remains of Clear Creek at the top of a mesa in the Verde Valley in Arizona. It was wrapped in a feathered cloth and deposited inside a stone cyst at the northeast corner of a building, that is, in the direction of sunrise on the summer solstice. Similar to the type used for the burial of infants, the tomb of this «child of the sky» who fell to the ground also contained a considerable amount of pottery. Among the Hopi, the expression «kpela owa», literally «stone of the sky», specifically refers to a meteorite. For ceremonial purposes, the Hopi grind this fallen celestial metal like a pigment to paint their winter solstice prayer sticks, to which eagle feathers are often attached. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197579412-QH4JR1WGRDLZNUQEW4XM/KOSMOS_11_LowelObservatory_Arizona+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #14 Small Optical Telescope, Lowell Observatory, Flagstaff, Arizona The Lowell Observatory Near-Earth Object Search programme focuses on the detection and characterisation of near-Earth asteroids that provide information on the processes of formation and evolution of planets. It also focuses on the origins and evolution of comets. Since comets are considered to be the most primitive objects that have existed since the formation of the solar system, they provide a unique source of information on this subject. The programme has discovered 289 near-Earth asteroids and 42 comets. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197702054-5DWIYTAI6HJBKYG89A4J/KOSMOS_15_Meteor+Crater_Arizona+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #15 Meteor Crater, Arizona With a depth of 180 metres and a diameter of 1,200 metres, the Meteor Crater was formed 49,000 years ago, following the entry into the atmosphere of a meteorite with a diameter of around 45 metres and a mass of 300,000 tonnes, at a speed of 12 km/sec. Under the effect of intense atmospheric friction, most of the meteorite vaporised and fragmented more than 5 km above the ground. The crater resulted from the impact of the main fragment, half the diameter of the original meteorite, and a cloud of finer rocks, fragments, mainly composed of iron and nickel. The earliest ancestors of Southwestern American native peoples were the first to explore the impact crater. Artifacts left on the rim of the crater testify to their presence. A number of remains of underground houses (or Kivas) are located on the southwest side of the meteor crater. These underground shelters or pre-Pueblos Kivas were built mainly before the 12th century in Arizona. The circular or oblong structures were generally excavated at a depth of three to five feet and had a diameter of 2.5 to 8 meters. The rounded corners of these underground shelters (or Kivas) reflect the specific morphology of the rounded corners of this particular crater. Thus, it is possible that the meteor crater may have provided the initial model for these early dwellings. The Hopi call the meteor crater, Yuvukpu, which literally means «collapse», «sinking» . They also have a Meteor Crater kachina, which resembles the Kaa-na, or Sunset Crater kachina. Throughout the 1960s, NASA scientists and technicians worked tirelessly to train their astronauts for the upcoming Apollo missions. The new astrogeology branch of the United States Geological Survey selected sites throughout Arizona to serve as lunar analogues. The topography of the Meteor Crater is so similar to that of the moon that NASA made it an official training site for the Apollo astronauts who tested their suits, vehicles and equipment there. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197768149-HHJSZ4WE69TVLGOHBAEM/KOSMOS_22_Cercle+de+pierre_Terlingua+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #16 Stone Circle, Terlingua, Texas. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197827196-1HK61COO443DWB54HQA9/KOSMOS_24_PuelbloBonito_cultureAnasazi+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #16 Puelblo bonito, Chaco Canyon, «Anasazi» culture («Hisatsinom», ancestral Pueblos peoples), New Mexico. Pueblo Bonito is the central site of the Chaco Canyon which brings together 3,600 archaeological sites belonging to the culture of the ancestral Pueblo peoples between 500 and 1300 AD. Centre of the Chacoan world, it became a commercial crossroads and a very important religious place. The notion of a central (median) place is extremely important in the Pueblo worldview. Their original myths emphasise the legendary migrations of the founders after their emergence in the «Fourth World» to find the central place intended for them by their deities. Chaco Canyon was symbolically considered the centre and cosmic axis of this Fourth World and the place of interconnection, between the horizontal axis of the cardinal directions and the vertical mundi axis connecting the subterranean worlds, the middle world (the Earth) and the celestial worlds. Built according to celestial movements, the buildings of Chaco Canyon are oriented according to cardinal points and aligned according to the solar and lunar cycles. They reveal ancestral knowledge linked to astronomy and a circular concept of time. Still considered sacred ancestral lands by the present day Pueblos peoples, the site of Pueblo bonito still serves as a place for seasonal ceremonies. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197788481-9GGI8TPPZZ27WUGFIFH9/KOSMOS_23_PuebloAltoLoop_cultureAnasazi+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #18 The Stone Circle, Pueblo Alto Loop, Chaco Canyon, culture Anasazi, New Mexico. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197762497-BRC3Q0X0RYQ0QSJ1SBHR/KOSMOS_21_Chetro+Ketli_cultureAnasazi+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #19 Chetro Ketl, Chaco Canyon, «Anasazi» culture («Hisatsinom», ancestors of the Pueblo people), New Mexico. For Pueblos, the Kiva is at the same time a memory of the first times (because it says the first habitat), a general model of the universe ( a representation of the cosmos), a lesson on the origin of beings, the emergence of the «first peoples» in the Fourth World and a place of connection linking the subterranean worlds, the Middle World and the celestial worlds. The kiva, this elliptical space built in the hollow of the earth, pierced with a sipapu on its floor and a bay on the ceiling, is a scale model of the Pueblo cosmology. Entering the kiva, within the earth, is not only entering the world before emergence, in contact with primordial forces, it is also entering another dimension of our world with, certainly, a past which the sipapu attests to, but also with a future (the Fifth World) whose ladder and the bay in the roof already show the possibility of ascent. The hikwisi, the breath of life, circulates in this cosmological complex, transported, from bottom to top, by the sun, in the form of water vapour and clouds. It enters the bodies of the earth, plants and women. Then, as in a process of condensation, it falls back and passes through the well of emergence to merge with the forces below. The cycle of the blows, modelled on that of water, feeds a symbolic parallel between the body-cosmos of the earth, the women’s bodies (with their capacity to receive life), and the kiva. The library, the «space of thought» of the art historian Aby Warburg, refers in its semi-elliptical form to the Kivas, «spaces of contemplation» and pre-modern representation of the Cosmos of the Pueblos peoples. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197814555-WYWSSFUSPQ9JUYE18XBU/KOSMOS_25_PetroglyphNationalMonument+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #20 Flower, petroglyph, ancestors of the Pueblo people, Petroglyph National Monument, New Mexico. Petroglyph National Monument is a volcanic escarpment made of basalt. It contains an estimated 20,000 to 25,000 petroglyphs carved by the ancestors of the Pueblos. Most of them seem to have been engraved between 1300 and 1690 AD. The Hopi songs, as well as their paintings and petroglyphs, describe the sìitálpuva, a mythical «paradise». This parallel and spiritual world is a perpetual summer world, a place that shines, covered with colourful flowers, birds and butterflies. According to their beliefs it can be generated in the «Middle World» by prayers, songs and actions of humans. Metaphors of the regeneration of life or the breath of life (hikwisi), the petroglyphs of flowers (but also dragonflies, butterflies and corn) serve as visual prayers to generate life. According to Armadeo Shije of the Zia Pueblo, the escarpment area is considered a sacred centre: «The Pueblos continue to recognise this site, which they call ‘the volcanoes’, as a place of great spiritual powers: and they organise seasonal ceremonies there. These fields of petroglyphs play a central role in communicating with the spirit world and form tracks to accompany the deceased on their journey to the other world». https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572198144709-W1X87XFGT6MTJ89VFQRZ/KOSMOS_34_PetroglyphNationalMonument+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #21 Awanyu (horned snake) and coyote, ancestors of the Pueblo people / Petroglyph National Monument, New Mexico. The horned serpent appears in several Native Americans mythologies. Particulars vary according to the tribes. Awanyu, is a Tewa deity. Represented as a horned or feathered serpent whose curves evoke flowing water or the zigzag of lightning, Awanyu appears on cave walls or as petroglyphs in New Mexico and Arizona. The Tewa are a linguistic group of Pueblos. The relationship of Pueblos with their local environment is not a one of farmers dominating the land, plants and animals, but rather a complex process of intimate relationships. Farmers depend on the weather, soil and crops, as do birds, animals, insects, flowers and other wild plants. Understanding ecological relationships helps farmers to make predictions and respond appropriately. According to the ritual and metaphorical tradition of Pueblos, the lightning snake, or lightning arrow, are the fertilising instruments used by Sho’tokünûñwa (spirit that fertilises lightning). Lightning snakes ritually fertilize the Sihchomo, the «Flower Hill» of the underworld through the Kiva’s sipapu. The snake is linked to the fertility of the soil, and this fertility depends on rain. Muy’ingwa, the spirit of germination, guides to the sipapu a set of intertwined natural metaphors, including lightning, snake, seeds and katsina. He fertilizes and waters a flower, allowing it to grow in the «middle world» of humans. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197633770-FYW6U29LD0KMCTXLZOM2/KOSMOS_14_Maison+geodesique_Arizona+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #22 Geodetic house, Lowell Observatory, Flagstaff, Arizona Richard Buckminster Fuller developed, as early as the 1930s, a work often described as «utopian». He is at the origin of many inventions, mainly architectural designs, the most famous of which is: «the geodesic dome». Engineer, mathematician, designer, futuristic inventor, architect, cartographer, philosopher, poet, he was an early environmental activist, very concerned about the planet’s limited resources, he promulgated a principle called «ephemeralization» which essentially means: «doing more with less». Fuller was one of the first to propagate a systemic view of the world. He introduced the notion of ‘synergistics’, which he used extensively to refer to the empirical study of systems of transformation, emphasising the unpredictability of the overall behaviour of the system when observing the behaviour of any single component in isolation. By his willingness to embrace within the same corpus microcosm and macrocosm, the ultimate laws of matter and those that regulate the life of men in society, Fuller set out to formalise his Utopia by means of his «synergy», where geometric and energy considerations are inextricably intertwined, the search for the «coordinate system of nature» and the dynamics of forms. Through a movement not unlike the Leibnizian characterisation of the living, the world becomes an indefinite nesting of structures. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197895684-SMN1701SDBTGW1UX2SWH/KOSMOS_27_KittPeakNationalObservatory+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #23 Solar Observatory, Kitt Peak National Observatory, Tucson, Arizona. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197854616-LEJKUY1UNIEO62Y8N0WH/KOSMOS_26_Arcosant_Arizona+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #24 Arcosanti, Arizona. An experimental micro-city, an «ideal city», Arcosanti was founded in 1970 by the architect Paolo Soleri following his concepts of Arcology, in search of a radical reorganisation of the built environment through the integration of architecture and ecology. In building Arcosanti, Paolo Soleri sought to apply the principles of Arcology: «Buildings and living things interact here as organs would in a highly evolved living being. Many systems work in concert with the efficient circulation of people and resources, multi-purpose buildings and solar orientation that provides lighting, heating and cooling for homes. » Initially, the futuristic city was to accommodate 5,000 inhabitants. In fact, only 5% of the initial project finally saw the light of day, ultimately occupying only 4 hectares of the 860 hectares of the site. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197675229-QG5OOW7HJ821FNZ9SGBN/KOSMOS_17_Cinder+lake+crater+Fields_Arizona+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #25 Cinder lake crater Fields, Sunset crater volcano, Flagstaff, Arizona. Lunar analogue, training area of the Apollo mission reproducing the craters of the landing site of the Apollo 11 mission on the moon: Mare Tranquillitatis ( Tranquillitatis Sea ). https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197700129-UYKOZ1DUZKPS7K1HNYWY/KOSMOS_18_Cinder+lake+crater+Fields_Arizona+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #26 Cinder lake crater Fields, Sunset crater volcano, Flagstaff, Arizona. Cinder lake crater Fields, Lunar analogue, training area of the Apollo mission. In the 1960s, the astrogeology branch of the United States Geological Survey built a lunar analogue from scratch at the base of the Sunset volcano. The porous volcanic gravel of the volcano provided them with a lunar rock equivalent and they reproduced the crater field of the Mare Tranquillitatis ( Tranquillitatis Sea ), the lunar landing site of the Apollo 11 mission, by simulating meteorite impacts by explosives. The final field contained 143 craters. This site became a NASA training area for the astronauts of the various Apollo missions. «While since the 1960s the United States has been drawing on Native American culture in the hope of restoring meaning to life in a materialistic society, NASA’s space program reflects a cosmology and ethos that Zuni cosmology is clashing with. Far from the Western understanding of space as a collection of inanimate bodies, it reflects, among other things, an inclusive vision of the individual in the universe, which includes celestial bodies personified according to a rich and ancient mythology. In this respect, the Apollo programme can be seen not only as its antithesis, but also as a translation of the historical opposition between Anglo-Americans and Native Americans. Because the analysis of a cosmology makes it possible to lay bare the ideological mechanisms involved in the organisation of a society and its policies, the definition of the space programme cannot ultimately be independent of the way in which a culture conceives the organisation of the universe and the place of human beings in it». Complaints are the Indians of the Cosmos (Native American Perspectives on the United States Space Program), Jane M. Young. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197725701-2TG4KNOMFWEBNXTT4WWM/KOSMOS_19_Cinder+lake+crater+Fields_Arizona+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #27 Cinder lake crater Cinder lake crater Fields, Sunset crater volcano, Flagstaff, Arizona.Fields, Lunar analogue, training area of the Apollo mission reproducing the craters of the landing site of the Apollo 11 mission on the moon: Mare Tranquillitatis ( Tranquillitatis Sea ). https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197881732-ETBZUE04XLEJ80TYG7QO/KOSMOS_28_Bisophe%CC%80re+II_Arizona+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #28 Bisophère II, Oracle, Arizona. Fantasies about the expansion of the human presence in space have never ceased to feed the imagination of modernity. The Biosphere II experimental site built between 1987 and 1991 by Space Biosphere Ventures was part of this fantasy of colonisation of other worlds. An immense hermetic dome covering an area of 1.27 ha, this structure aimed to reproduce a closed but viable artificial ecological system, with the terrestrial biosphere (Biosphere I) as its reference point. Different ecosystems were reconstructed here: a tropical rainforest, an ocean with its coral reef, a mangrove, a savannah, a desert, and land reserved for agriculture. Two missions were carried out there. The first lasted from 26 September 1991 to 26 September 1993 and the second, six months in 1994. The objective was to assess the feasibility of identical biospheres during the colonisation of space and to find out whether such a structure on the surface of Mars would allow humans to survive there. The project failed, in particular because of insufficient air recycling, and the experiment to colonise other planets was abandoned. In 2007, the University of Arizona took over the site and has since used it as a laboratory for studying and observing the effects of global warming. Some of these studies focus mainly on the impact of changes in temperature, precipitation and CO2 concentrations on existing biomes, with the aim of gaining a deeper understanding of the responses of different ecosystems to climate change. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197955142-T8MZ1GUEVN9MH7GSGINS/KOSMOS_29_Spaceport-America_VirginGalactic+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #29 Spaceport America, the first general public spaceport dedicated to space tourism, developed by the VirginGalactic company, New Mexico. Virgin Galactic is a billionaire Richard Branson’s company, whose aim is to sell suborbital flights to the public. Spaceport America is the spaceport from which Virgin Galactic plans to send into space with its model Space-ShipTwo VSS Unity, five passengers a year, for 250,000 dollars each. The first commercial flights into space are planned for the end of 2020. Since the 1960s, space policies have been determined by the states associated with the space agencies and certain industrialists. But for some years now, the laws and treaties committing the main government agencies to refrain from appropriating space, placing weapons of mass-destruction in it or exploiting its resources seem obsolete. Space then becomes a new territory that is no longer just to be conquered but also to be exploited. Private operators, whose main driving force is not the advancement of scientific discoveries but innovation and return on investment, are taking over the space sector. The Euro-American concept of the American border is based on the erroneous notion that the «New World» was unoccupied and therefore available for exploration and exploitation. Many Native Americans see the use of the metaphor of the border in discourses on the exploration and exploitation of cosmic space as a parallel to the historical «colonization» of America, in which settlers expanded the notion of «unoccupied» land through time, while gradually pushing the «border» westward. Native Americans fear that the motivations for expansion and exploitation, which in part guide the space program, may bring disruption to the cosmos. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572198050442-LTR754UH2PNUZ8GNTZ3Q/KOSMOS_31_Ascaya_Terraformation_Nevada+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #30 «Terraformation» of the Black Mountain, sacred lands for the Paiute Nuwu tribes, Ascaya, Nevada. «Transforming the natural environment of a planet, a natural satellite or another celestial body, in order to make it habitable by bringing together the conditions of a terrestrial type of life and to colonise it». The Ascaya project of billionaire developer Henry Cheng, a real «terraforming» project, aimed to create a set of luxurious residential districts overlooking Las Vegas in the Black Mountain, sacred land for the Paiute Nuwu tribes. To carry out this colossal project, the promoter levelled the mountain to the detriment of wildlife and its habitat, causing sprawling destruction and a disastrous environmental balance sheet. The destruction of the environment became a reflection of the expansionism of the «American dream». Mountain tops were bulldozed, roads paved and residential land cut off, but the development of the residential project was nearly abandoned following the 2008 recession. It did not restart until 2020. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197925501-MNL732QUX170BEYO4JCC/KOSMOS_30_Ascaya_Terraformation_Nevada+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #31 «Terraformation» of the Black Mountain, sacred lands for the Paiute Nuwu tribes, Ascaya, Nevada. For the Southern Paiute Nuwu tribes, the mountains of southern Nevada are considered sacred land. Since time immemorial, their people have lived and travelled through these lands. Land they consider to have been stolen by white colonisers. Still today, they continue to celebrate the deep and indissoluble spiritual bond they have with these mountains and the animals that live there through various ceremonial rites and territorial songs. The Nuwu continue to honour Nah’gah, the great mountain sheep, with songs and dances that reflect their history. They believe that just as their people are threatened by the loss of their traditional lands and culture, so are the mountain sheep, who are struggling to survive in the face of the expansion of the lands taken away from them for modern ‘development’. They feel it is their duty to protect the mountain sheep, because if they all disappear, their people will die too. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572198067387-J2OQ6AWIP8P8HJXBOIRU/KOSMOS_32_Montagne+calcine%CC%81e_AspenMountain+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #32 Calcined Mountain, Wallow Fire, White Mountains, Apache National Forest, Arizona / New Mexico. The Wallow Fire, a giant fire that started in the White Mountains and Apache National Forest near Alpine, Arizona, on May 29, 2011 and spread to western New Mexico. The fire consumed 2,177 square kilometres of land and was a disaster for the ecosystem that is home to many endangered species. Natural forest fires can be part of a regenerative process in the functioning of forest ecosystems. However, only about 4% of the world’s forest fires have natural causes such as lightning. In the United States, since 2001, 85% of forest fires have been caused by human activity. Most of the time, as a result of fires, forests become unable to regenerate themselves. The effects of forest fires on species diversity are disastrous: the burnt areas and with them their entire ecosystem, including plants and animals, are irretrievably lost. 84% of the area of all eco-regions that are essential for the conservation of the world’s species diversity are threatened by changes in fire intensity and frequency. Climate change is extending the fire season and causing more frequent droughts, degrading forests and making them more vulnerable to fires. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572198803799-XPJQ3CZLF7A11JM7KBZW/KOSMOS_40_Cadavre+animal_PinosAltosMountain+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #33 Animal cadaver, Pinos Altos Mountain, New Mexico. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572198969833-3R1E29VDU234ZV83EKIY/KOSMOS_45_Carlsbad+Caverns_Nouveau-Mexique+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #34 Carlsbad Caverns, New mexico. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572198251005-48G4T1IYL691ZRLPF33K/KOSMOS_35_Fresque_LowelObservatory+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #35 Fresque, Lowell Observatory, Flagstaff, Arizona. Numerous legends and ceremonies associated with the stars have been collected among Native American tribes of Southwestern America. This collection of astronomical traditions and constructions is a reminder of the close link between these tribes and the Cosmos. According to the Navajo worldview, which emphasises harmonious relations with the entire cosmos - a sacred kinship at all levels of experience, both natural and supernatural - Father Heaven is a living being, intimately linked to humans, who should therefore treat him with consideration and respect. This example of the Navajo is representative of the cosmology of most Native American groups, a cosmology shaped by a belief in the unitary and sacred nature of all life, above and below. For nearly a quarter of a century, the Native American Astronomy Outreach Program at the Lowell Observatory has brought together in a common corpus, astronomy and the Navajo and Hopi tribal traditions of northern Arizona with the goal of giving the children of its tribes a taste for science by building bridges between ancestral culture and modern science. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572198366513-K26MX7A4FRBJDDK3INSS/KOSMOS_37_Ours+totem_Chama+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #36 Totem bear, Chama, Northern New Mexico. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572198271253-8I3219ASB6C3FQJKSS9W/KOSMOS_36_LisiereDeForet_TruthOrConsequences+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #37 Forest edge, Truth or Consequences, Apache Territory, New Mexico. In Apache mythology, the Hactcins are supernatural personifications of objects and natural forces, they are the creators of all things. «Rocks are alive, just as alive as trees, plants, animals or pollen. They are the skeleton of the world. Without them, there would be no firmness or cohesion in the world. Everything would be sticky mud. Your bones are an essential part of your life, a part of your body. So you must consider rocks as alive as your bones are. (...) Everything is alive and living, rocks, trees, grass and plants. In the beginning, they could all speak like humans and they all spoke one language, the Apache language. (...) Thus, for the sake of variety, the Hactcins granted different languages and different ways of behaving to each being. But all these beings have power, even if they don’t speak to us. Plants, rocks, fire, water, all are conscious and alive. They observe us and perceive our needs. They know how to recognize when we have nothing left to protect us, and it is then that they manifest themselves and speak to us. They take human form and say to us: «Why don’t you use me to help your people?». However, they have two ways of reacting. Respect them and they will not harm you, otherwise they will turn against you. Fire, for example, if you use it sparingly, will help you; but if you abuse it, it will harm you. When the white man sees pollen in a meadow, he considers it to be nothing. But the Indian knows that he is alive and sometimes the pollen speaks to him: «Why don’t you pay attention to me? We are the way of life.» It is said that one day, when the land is no longer suitable for life, the Apache people will begin an ascent to the third world, above the present earth and sky, just as they emerged from the subterranean worlds to this world.» The departure of the Hactcin ans prophecies concernig teh end of the present world. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572198819090-YAZP3P5QJ2UI3JGNJTHL/KOSMOS_38_Crane+animal_Colorado+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #38 Mountain coyote skull, Navajo territory , Southern Colorado. In the Navajo tradition, Coyote-Begochidi is the trickster and creator god. His creativity and healing power are inseparable from his cheating qualities. His unpredictability is linked to creativity. The Navajos are of Athapaskan origin, their migrations brought them to the American Southwest around 1400 AD, around the Pueblo valleys. The origin myth of the Southwestern Navajo is inspired by that of the Pueblos. Diné Bahaneʼ, the genesis of the Navajo is told in the context of a Blessingway ritual: «When the people emerged in the Fourth World (the White World, Niʼ Hodisxs), after having crossed a series of previous worlds (the Dark World, the Blue World, the Yellow World), the sky and the earth were created and arranged. The four Diyin Dineʼé (Sacred and Supernatural Beings) - the first man, the first woman, the woman of salt and the Black God - met and planned the conditions of life on the surface of the earth. Black God, because of his association with fire, was considered responsible for creation and of the maintenance of celestial bodies.» In one of the versions on the origins of the heavenly vault, «Black God dedicates himself to the process cosmic by meticulously assembling constellations in a different sky empty. One by one, he pulls each star out of a pouch tied around his waist, sets him ablaze and fixes it to the firmament. When Coyote observes He loses patience with this. By tearing off the cover at Black God, Coyote scatters the remaining stars in the sky and forms the Milky Way. Like Black God didn’t have the opportunity to shine the stars that Coyote had scattered, this history explains why some stars are less bright than others. » Dinner Bahaneʼ («The History of the People»), Navajo Creation Myth. «It is also in the White World that the true death appeared. Coyote threw a stone in a lake, stating that if it sank, the dead would return to the previous world.» https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572198763163-UHW93AGLMLZ3A5GT0N9V/KOSMOS_39_Patte+de+daim_Aspen+Mountain+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #39 Mule deer leg, White Mountains, Apache National Forest, Arizona / New Mexico. Deer are associated with fertility in many Native American cultures. They are believed to sacrifice themselves to feed people or are considered as the land’s guardians. The Apache people were originally a hunter-gatherer people, who historically lived in an area called Apacheria, covering eastern Arizona, northwestern Mexico, New Mexico, parts of Texas and the Great Plains. The White Mountain Apache is one of the Western Apache tribes. Among Apaches, there can be no rigid boundaries between humans and non-humans, spiritual and physical; or, if such boundaries exist, they are fluid and permeable. The Apaches’ tale She Who Became a Deer, tells the story of the transformation of the wife of a great deer hunter into a doe, following the deer’s trick of taking the form of a man: « (…) As the woman agreed to take the «dead» deer’s head in her hands and hold it above her, the man threw a deer leg at her and it hit her. The head of the deer she was holding above her covered her head and the deer’s clothing lying beside it passed over her body. She began to whistle and leap like a deer, looking at the man standing there. The man put on his own head and deer clothing and became a real deer. He joined the woman and they both ran away to Black Jet Mountain. They began a journey from mountain to mountain, the Turquoise Mountain, the Red Stone Mountain, where they found the company of many other deer. Throughout their journey they played together until they reached the White Shell Bead Mountain where they settled. (…) » https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572198844156-DSNMAOUOKXSU7BZ6RH8S/KOSMOS_41_Squelette+animal_Aspen+Mountain+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #40 Animal skeleton, White Mountains, Apache National Forest, Arizona / New Mexico. There would exist a primitive time, a biological, empirical, concrete, material time, an eternal, immemorial time which is also the time of the here and now, the earthly time intrinsic to earthly things which acts in a common, though singular way, in plants, animals, humans. This time would be the time of the collapsed «primitive star» (the Big Bang) from which everything proceeds. Everything we are is stardust. Everything we know about the Universe, the cosmos, seems to come from the Big bang, to be its «echo», whose fossil sound is still audible in the Universe. Our universe would never be anything more than a variation of the collapse of that «primitive star» that made our cosmos possible. The living would be this stellar force folded into a concrete form, an energy that is incarnated and that defines the living: time being the trace of this force present in all that exists. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572198931217-C31H5Q45KY6EE8BYUOP5/KOSMOS_42_Tronc+d%E2%80%99arbre_Aspen+Mountain+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #41 Tree trunk, entropy, Aspen Mountain, New Mexico. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572198885898-GWBMUH845GVPFG22UN5A/KOSMOS_43_SunsetCraterVolcano_+Arizona+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #42 Lava Flow, arbres vivants et morts, Sunset crater volcano, Flagstaff, Arizona. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572198919935-YAWID2DQHBZA5PKGYUYO/KOSMOS_44_ObservatoireSolaireAnasazi+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #43 Spiral petroglyphs, «Anasazi» Solar Observatory, Hovenweep National Monument, Southern Utah. This solar observatory or astronomical clock «Anasazi» consists of two spiral-shaped petroglyphs. They are concealed under a desorte cornice that the solar rays point a «luminous dagger» at the precise periods of the summer and winter solstices, as well as at the spring and autumn equinoxes. The symbol of the migratory spiral symbolizes a circular conception of time and represents the circular migration patterns of Native American tribes to where they now live. «The Pueblos and the native peoples of the American Southwest do not consider space and the beings who live in it as material objects that they can own, control or defeat. The cosmos is a single entity; the beings that make it up act according to the principles of continuity and similarity - principles that are evident in the unification of cosmic space. For Native American peoples, this continuity applies to both time and space.Although they may evoke a myth in which events take place « a long time ago « or « in the beginning «, they do not see these events as completed and past, situated at a single point on a continuous time line; rather, they perceive them as forever present, shaping the here and now. (…).» Complaints are the Indians of the Cosmos, Jane M. Young https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197344407-0PCV7MX6ER3NEZ520DH1/KOSMOS_02_Grand+fall_Arizona+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #44 Grand fall, Arizona. «Pueblo’s conception of time and space is closer to that of relativistic physics, in which space and time exist in a single continuum relative to the observer, than it is to the «linear perspective of most members of Western society. (…). Time is cyclical, manifest in the ordered and regular movements and «returns» of the sun, moon and stars. Space and time are both organic and form continuous entities. One could thus say that, for the Native Pueblos, time is reversible: past, present and future coexist». Complaints are the Indians of the Cosmos, Jane M. Young https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1572197646304-WCTMAP685T876EQSI01X/KOSMOS_16_Meteor+copie.jpg KÓSMOS- Pluralité des mondes comme bibliothèque Aby Warburguienne [2017- 2019] - KÓSMOS #45 Meteor http://www.amelie-labourdette.com/texts daily 0.75 2025-10-16 http://www.amelie-labourdette.com/forest-spirits daily 0.75 2026-03-18 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/e1a561c8-c6c0-4621-8d75-975ff6bd8212/amelie-labourdette-tirennale-guangzhou-1.jpg Un Pur Esprit S’Accroît Sous L’Écorce Des Pierres ( 2021 - 2022) - Démarquez-vous Vue d’installation de NEO–ANALOG – Expanded Photography in the Post-Digital Era, exposition collective commissariée par Michel Poivert, présentée dans le cadre de la Triennale de l’image de Guangzhou 2025 – Ecology of Sensitivity. Dix tirages grand format en piézographie issus de la série Un pur esprit s’accroît sous l’écorce des pierres sont présentés dans l’espace camera obscura de l’exposition. Guangdong Museum of Art – Bai’etan Greater Bay Area Art Center, Guangzhou, Chine. 19 décembre 2025 – 5 mai 2026. Installation view of NEO–ANALOG – Expanded Photography in the Post-Digital Era, a group exhibition curated by Michel Poivert, presented within the Guangzhou Image Triennial 2025 – Ecology of Sensitivity. Ten large-format Piezography prints from the series A Pure Spirit Grows Beneath the Bark of Stones are displayed in the exhibition’s camera obscura space. Guangdong Museum of Art – Bai’etan Greater Bay Area Art Center, Guangzhou, China. 19 December 2025 – 5 May 2026. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1673037034057-SCLTRERJRZE8H94MR3HZ/un+pur+esprit_amelie_+labourdette_DSC0906.jpg Un Pur Esprit S’Accroît Sous L’Écorce Des Pierres ( 2021 - 2022) - Un pur esprit s'accroît sous l'écorce des pierres Forêts du Dévonien / Forêts fossiles de Catskill Eospermatopteris / wattieza : tronc et couronne avec branches attachées, South Mountain, Complexe du Delta de Catskill. Collection de Paléobotanique, New York State Museum, Albany NY. 97 x 144.5 cm (tirage avec cadre) / Édition unique Tirage PIEZOGRAPHY (encres aux pigments de charbon) sur Papier Awagami Kozo Thin White 70 g. Contre-collage sur Dibond 2 mm. Cadre affleurant 12/45 mm bois koto teinté ciré encre de Chine noire. Courtesy de l’artiste Amélie Labourdette. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1673037082487-WPGLDKQTQH6IBRB1KAT1/un+pur+esprit_amelie_+labourdette_DSC0931.jpg Un Pur Esprit S’Accroît Sous L’Écorce Des Pierres ( 2021 - 2022) - Un pur esprit s'accroît sous l'écorce des pierres / Forêts du Dévonien / Forêts fossiles de Catskill Frondaison d’Archaeopteris hibernica, Complexe du Delta de Catskill. Collection de Paléobotanique, New York State Museum, Albany NY. 57 x 84,5 cm (tirage avec cadre) / Édition unique Tirage PIEZOGRAPHY (encres aux pigments de charbon) sur Papier Awagami Kozo Thin White 70 g. Contre-collage sur Dibond 2 mm. Cadre affleurant 12/45 mm bois koto teinté ciré encre de Chine noire. Courtesy de l’artiste Amélie Labourdette. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1673037085551-B502WUW9NRTR0H5GPHC3/un+pur+esprit_amelie_+labourdette_DSC0934.jpg Un Pur Esprit S’Accroît Sous L’Écorce Des Pierres ( 2021 - 2022) - Un pur esprit s'accroît sous l'écorce des pierres / Forêts du Dévonien / Forêts fossiles de Catskill Frondaison d’Archaeopteris hibernica, Complexe du Delta de Catskill. Collection de Paléobotanique, New York State Museum, Albany NY. 57 x 84,5 cm (tirage avec cadre) / Édition unique Tirage PIEZOGRAPHY (encres aux pigments de charbon) sur Papier Awagami Kozo Thin White 70 g. Contre-collage sur Dibond 2 mm. Cadre affleurant 12/45 mm bois koto teinté ciré encre de Chine noire. Courtesy de l’artiste Amélie Labourdette. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1673037026769-BYK3UFLUYBY935MFMXGK/un+pur+esprit_amelie_+labourdette_DSC0900_2.jpg Un Pur Esprit S’Accroît Sous L’Écorce Des Pierres ( 2021 - 2022) - Un pur esprit s'accroît sous l'écorce des pierres / Forêts du Dévonien / Forêts fossiles de Catskill Eospermatopteris (souche), forêt de Giloba, Complexe du delta de Catskill. Collection de Paléobotanique, New York State Museum, Albany NY. 97 x 144.5 cm (tirage avec cadre) / Édition unique Tirage PIEZOGRAPHY (encres aux pigments de charbon) sur Papier Awagami Kozo Thin White 70 g. Contre-collage sur Dibond 2 mm. Cadre affleurant 12/45 mm bois koto teinté ciré encre de Chine noire. Courtesy de l’artiste Amélie Labourdette. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1673036956807-2N9ESLRU59UPPNRBQ2RO/un+pur+esprit_amelie_+labourdette_DSC0896.jpg Un Pur Esprit S’Accroît Sous L’Écorce Des Pierres ( 2021 - 2022) - Un pur esprit s'accroît sous l'écorce des pierres / Forêts du Dévonien / Forêts fossiles de Catskill Frondaison Archaeopteris, Complexe du Delta de Catskill. Collection de Paléobotanique, New York State Museum, Albany NY. 57 x 84,5 cm (tirage avec cadre) / Édition unique Tirage PIEZOGRAPHY (encres aux pigments de charbon) sur Papier Awagami Kozo Thin White 70 g. Contre-collage sur Dibond 2 mm. Cadre affleurant 12/45 mm bois koto teinté ciré encre de Chine noire. Courtesy de l’artiste Amélie Labourdette. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1673037062441-DBAADQDUPT12675SR43L/un+pur+esprit_amelie_+labourdette_DSC0911.jpg Un Pur Esprit S’Accroît Sous L’Écorce Des Pierres ( 2021 - 2022) - Un pur esprit s'accroît sous l'écorce des pierres / Forêts du Dévonien / Forêts fossiles de Catskill Tetraxylopteris-T. schmidtii, forêt de Gilboa, Complexe du Delta de Catskill. Collection de Paléobotanique, New York State Museum, Albany NY. 97 x 144.5 cm (tirage avec cadre) / Édition unique Tirage PIEZOGRAPHY (encres aux pigments de charbon) sur Papier Awagami Kozo Thin White 70 g. Contre-collage sur Dibond 2 mm. Cadre affleurant 12/45 mm bois koto teinté ciré encre de Chine noire. Courtesy de l’artiste Amélie Labourdette. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1673036931266-E6RZC0H8QHF2CIQNVUI7/un+pur+esprit_amelie_+labourdette_DSC0885.jpg Un Pur Esprit S’Accroît Sous L’Écorce Des Pierres ( 2021 - 2022) - Un pur esprit s'accroît sous l'écorce des pierres / Forêts du Dévonien / Forêts fossiles de Catskill Feuillage Archaeopteris, Dévonien superieur, Complexe du Delta de Catskill. Collection de Paléobotanique, New York State Museum, Albany NY. 97 x 144.5 cm (tirage avec cadre) / Édition unique Tirage PIEZOGRAPHY (encres aux pigments de charbon) sur Papier Awagami Kozo Thin White 70 g. Contre-collage sur Dibond 2 mm. Cadre affleurant 12/45 mm bois koto teinté ciré encre de Chine noire. Courtesy de l’artiste Amélie Labourdette. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1673036953017-NJ6B1THSAP24GXJ7AVTR/un+pur+esprit_amelie_+labourdette_DSC0891.jpg Un Pur Esprit S’Accroît Sous L’Écorce Des Pierres ( 2021 - 2022) - Un pur esprit s'accroît sous l'écorce des pierres / Forêts du Dévonien / Forêts fossiles de Catskill Racines de plantes, forêt de Gilboa, Complexe du Delta de Catskill. Collection de Paléobotanique, New York State Museum, Albany NY. 97 x 144.5 cm (tirage avec cadre) / Édition unique Tirage PIEZOGRAPHY (encres aux pigments de charbon) sur Papier Awagami Kozo Thin White 70 g. Contre-collage sur Dibond 2 mm. Cadre affleurant 12/45 mm bois koto teinté ciré encre de Chine noire. Courtesy de l’artiste Amélie Labourdette. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1673036929782-90GKUPRILRVY94H8PBIN/un+pur+esprit_amelie_+labourdette_DSC0886.jpg Un Pur Esprit S’Accroît Sous L’Écorce Des Pierres ( 2021 - 2022) - Un pur esprit s'accroît sous l'écorce des pierres / Forêts du Dévonien / Forêts fossiles de Catskill Feuillage Archaeopteris, Dévonien superieur, Complexe du Delta de Catskill. Collection de Paléobotanique, New York State Museum, Albany NY. 97 x 144.5 cm (tirage avec cadre) / Édition unique Tirage PIEZOGRAPHY (encres aux pigments de charbon) sur Papier Awagami Kozo Thin White 70 g. Contre-collage sur Dibond 2 mm. Cadre affleurant 12/45 mm bois koto teinté ciré encre de Chine noire. Courtesy de l’artiste Amélie Labourdette. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1673037057365-D0QPEMM7T7BT71T7WW3T/un+pur+esprit_amelie_+labourdette_DSC0908.jpg Un Pur Esprit S’Accroît Sous L’Écorce Des Pierres ( 2021 - 2022) - Un pur esprit s'accroît sous l'écorce des pierres / Forêts du Dévonien / Forêts fossiles de Catskill Rhachiopteris-Devonic, bassin de Marcellus. Collection de Paléobotanique, New York State Museum, Albany NY. 42 x 62 cm (tirage avec cadre) / Édition unique Tirage PIEZOGRAPHY (encres aux pigments de charbon) sur Papier Awagami Kozo Thin White 70 g. Contre-collage sur Dibond 2 mm. Cadre affleurant 12/45 mm bois koto teinté ciré encre de Chine noire. Courtesy de l’artiste Amélie Labourdette. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1673038318963-RUVNKMA14O2BP9HSAPLV/un+pur+esprit_amelie_+labourdette_DSC0878.jpg Un Pur Esprit S’Accroît Sous L’Écorce Des Pierres ( 2021 - 2022) - Un pur esprit s'accroît sous l'écorce des pierres / Forêts contemporaines / L’esprit de la forêt Forêt moussue, forêt communale de Noidant-le-Rocheux, Haute-Marne, France. 97 x 144.5 cm (tirage avec cadre) / Édition unique Tirage PIEZOGRAPHY (encres aux pigments de charbon) sur Papier Awagami Kozo Thin White 70 g. *Technique spéciale avec deux impressions sur papier. Contre-collage sur Dibond 2 mm. Cadre affleurant 12/45 mm bois koto teinté ciré encre de Chine noire. Courtesy de l’artiste Amélie Labourdette. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1673038400096-JN52Z0UG3X41O6NCT9QQ/un+pur+esprit_amelie_+labourdette_DSC0945.jpg Un Pur Esprit S’Accroît Sous L’Écorce Des Pierres ( 2021 - 2022) - Un pur esprit s'accroît sous l'écorce des pierres / Forêts contemporaines / L’esprit de la forêt Gorges de Senance, forêt communale de Noidant-le-Rocheux, Haute-Marne, France. 97 x 149.46 cm (tirage avec cadre) / Édition unique. Tirage PIEZOGRAPHY (encres aux pigments de charbon) sur Papier Awagami Kozo Thin White 70 g. *Technique spéciale avec deux impressions sur papier. Contre-collage sur Dibond 2 mm. Cadre affleurant 12/45 mm bois koto teinté ciré encre de Chine noire. Courtesy de l’artiste Amélie Labourdette. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1673038400177-05BUE4051675KWGKM6QT/un+pur+esprit_amelie_+labourdette_DSC0952.jpg Un Pur Esprit S’Accroît Sous L’Écorce Des Pierres ( 2021 - 2022) - Un pur esprit s'accroît sous l'écorce des pierres / Forêts contemporaines / L’esprit de la forêt Gorges de Senance, forêt communale de Noidant-le-Rocheux, Haute-Marne, France. 97 x 144,5 cm (tirage avec cadre) / Édition unique Tirage PIEZOGRAPHY (encres aux pigments de charbon) sur Papier Awagami Kozo Thin White 70 g. *Technique spéciale avec deux impressions sur papier. Contre-collage sur Dibond 2 mm. Cadre affleurant 12/45 mm bois koto teinté ciré encre de Chine noire. Courtesy de l’artiste Amélie Labourdette. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1673038425894-Z11OKDM9FRTB9FSYX4XM/un+pur+esprit_amelie_+labourdette_DSC0959.jpg Un Pur Esprit S’Accroît Sous L’Écorce Des Pierres ( 2021 - 2022) - Un pur esprit s'accroît sous l'écorce des pierres / Forêts contemporaines / L’esprit de la forêt Forêt de Fontainebleau, France. 59,96 x 79 cm (tirage avec cadre) / Édition unique Tirage PIEZOGRAPHY (encres aux pigments de charbon) sur Papier Awagami Kozo Thin White 70 g. *Technique spéciale avec deux impressions sur papier. Contre-collage sur Dibond 2 mm. Cadre affleurant 12/45 mm bois koto teinté ciré encre de Chine noire. Courtesy de l’artiste Amélie Labourdette. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1673038424471-TQXHLDZ71OJMO6N72T9M/un+pur+esprit_amelie_+labourdette_DSC0956.jpg Un Pur Esprit S’Accroît Sous L’Écorce Des Pierres ( 2021 - 2022) - Un pur esprit s'accroît sous l'écorce des pierres / Forêts contemporaines / L’esprit de la forêt Forêt moussue, forêt communale de Noidant-le-Rocheux, Haute-Marne, France. 57 x 73.19 cm (tirage avec cadre) / Édition unique Tirage PIEZOGRAPHY (encres aux pigments de charbon) sur Papier Awagami Kozo Thin White 70 g. *Technique spéciale avec deux impressions sur papier. Contre-collage sur Dibond 2 mm. Cadre affleurant 12/45 mm bois koto teinté ciré encre de Chine noire. Courtesy de l’artiste Amélie Labourdette. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1673038437764-EZF16R831QPOB1RHO6VD/un+pur+esprit_amelie_+labourdette_DSC0964.jpg Un Pur Esprit S’Accroît Sous L’Écorce Des Pierres ( 2021 - 2022) - Un pur esprit s'accroît sous l'écorce des pierres / Forêts contemporaines / L’esprit de la forêt Forêt moussue, forêt communale de Noidant-le-Rocheux, Haute-Marne, France. 57 x 79 cm (tirage avec cadre) / Édition unique Tirage PIEZOGRAPHY (encres aux pigments de charbon) sur Papier Awagami Kozo Thin White 70 g. *Technique spéciale avec deux impressions sur papier. Contre-collage sur Dibond 2 mm. Cadre affleurant 12/45 mm bois koto teinté ciré encre de Chine noire. Courtesy de l’artiste Amélie Labourdette. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1673038374796-W1GXCFB85QVFGHA5G2YK/un+pur+esprit_amelie_+labourdette_DSC0941.jpg Un Pur Esprit S’Accroît Sous L’Écorce Des Pierres ( 2021 - 2022) - Un pur esprit s'accroît sous l'écorce des pierres / Forêts contemporaines / L’esprit de la forêt Forêt moussue, forêt communale de Noidant-le-Rocheux, Haute-Marne, France. 97 x 144.5 cm (tirage avec cadre) / Édition unique Tirage PIEZOGRAPHY (encres aux pigments de charbon) sur Papier Awagami Kozo Thin White 70 g. *Technique spéciale avec deux impressions sur papier. Contre-collage sur Dibond 2 mm. Cadre affleurant 12/45 mm bois koto teinté ciré encre de Chine noire. Courtesy de l’artiste Amélie Labourdette. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1673038318275-7HI3KBUGQIIWI9Z9HTJ7/un+pur+esprit_amelie_+labourdette_DSC0918.jpg Un Pur Esprit S’Accroît Sous L’Écorce Des Pierres ( 2021 - 2022) - Un pur esprit s'accroît sous l'écorce des pierres / Forêts contemporaines / L’esprit de la forêt Forêt de la région de Catskill, État de New York. 97 x 144.5 cm (tirage avec cadre) / Édition unique Tirage PIEZOGRAPHY (encres aux pigments de charbon) sur Papier Awagami Kozo Thin White 70 g. *Technique spéciale avec deux impressions sur papier. Contre-collage sur Dibond 2 mm. Cadre affleurant 12/45 mm bois koto teinté ciré encre de Chine noire. Courtesy de l’artiste Amélie Labourdette. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1673038373760-ZO9PGV7LTK5R26JHBGAF/un+pur+esprit_amelie_+labourdette_DSC0937.jpg Un Pur Esprit S’Accroît Sous L’Écorce Des Pierres ( 2021 - 2022) - Un pur esprit s'accroît sous l'écorce des pierres / Forêts contemporaines / L’esprit de la forêt Forêt moussue, forêt communale de Noidant-le-Rocheux, Haute-Marne, France. 97 x 144.5 cm (tirage avec cadre) / Édition unique Tirage PIEZOGRAPHY (encres aux pigments de charbon) sur Papier Awagami Kozo Thin White 70 g. *Technique spéciale avec deux impressions sur papier. Contre-collage sur Dibond 2 mm. Cadre affleurant 12/45 mm bois koto teinté ciré encre de Chine noire. Courtesy de l’artiste Amélie Labourdette. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1673038347144-1SOVNJAD8RFUOEKPYGFK/un+pur+esprit_amelie_+labourdette_DSC0922.jpg Un Pur Esprit S’Accroît Sous L’Écorce Des Pierres ( 2021 - 2022) - Un pur esprit s'accroît sous l'écorce des pierres / Forêts contemporaines / L’esprit de la forêt Rivière, forêt de la région de Catskill, État de New York. 57 x 84.5 cm (tirage avec cadre) / Édition unique Tirage PIEZOGRAPHY (encres aux pigments de charbon) sur Papier Awagami Kozo Thin White 70 g. *Technique spéciale avec deux impressions sur papier. Contre-collage sur Dibond 2 mm. Cadre affleurant 12/45 mm bois koto teinté ciré encre de Chine noire. Courtesy de l’artiste Amélie Labourdette. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1673038349655-EQ0J06BNNP66CNBPKMVH/un+pur+esprit_amelie_+labourdette_DSC0923.jpg Un Pur Esprit S’Accroît Sous L’Écorce Des Pierres ( 2021 - 2022) - Un pur esprit s'accroît sous l'écorce des pierres / Forêts contemporaines / L’esprit de la forêt Gorges et sources de la Vingeanne, Haute-Marne, France. 57 x 84.5 cm (tirage avec cadre) / Édition unique Tirage PIEZOGRAPHY (encres aux pigments de charbon) sur Papier Awagami Kozo Thin White 70 g. *Technique spéciale avec deux impressions sur papier. Contre-collage sur Dibond 2 mm. Cadre affleurant 12/45 mm bois koto teinté ciré encre de Chine noire. Courtesy de l’artiste Amélie Labourdette. http://www.amelie-labourdette.com/elodie-issartel daily 0.75 2023-12-28 http://www.amelie-labourdette.com/khthn daily 0.75 2026-03-17 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1703719582519-XMEA50MZTF9X68J2URNI/3_Amelie_Labourdette_DSC2687+BIS.jpg KHTHṒN ( 2023 - en cours) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1703882390799-0CR1X93GVO8QG3WN1HDN/23_Amelie_Labourdette_stalgtites+2+copie+2+BIS+copie-1.jpg KHTHṒN ( 2023 - en cours) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1703719548756-J8ORQQUEQXZW4U9Q6915/2_Amelie_Labourdette_DSC1813.jpg KHTHṒN ( 2023 - en cours) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1703719589900-ZXV43M377AITLUBVV3N4/4_Amelie_Labourdette_DSC1951.jpg KHTHṒN ( 2023 - en cours) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1703719622970-T05LP07HBAR0F03U3XV5/5_Amelie_Labourdette_DSC1955.jpg KHTHṒN ( 2023 - en cours) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1703719632244-3R9IE2HAI9XA7Q56O3B8/6_Amelie_Labourdette_DSC2176.jpg KHTHṒN ( 2023 - en cours) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1703719658385-1OZUY3FONJLA1H2W5B70/7_Amelie_Labourdette_DSC2258.jpg KHTHṒN ( 2023 - en cours) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1703719669055-TNHQ5CCH5ZVQZAKD6M50/8_Amelie_Labourdette_DSC2255.jpg KHTHṒN ( 2023 - en cours) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1703719698416-7I68BFASQH5977RK2SJ8/9_Amelie_Labourdette_DSC2264.jpg KHTHṒN ( 2023 - en cours) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1703719703443-QAB8WM970G8HPQ6VP8ZO/10_Amelie_Labourdette_Colone+copie+3.jpg KHTHṒN ( 2023 - en cours) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1703719731507-AA69S3C1WO7LQE7583KL/11_Amelie_Labourdette_DSC1978_.jpg KHTHṒN ( 2023 - en cours) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1703719757850-BVN4HQEL2VU0LDRY85BS/12_Amelie_Labourdette_stalagmites3+copie+2+BIS+copie.jpg KHTHṒN ( 2023 - en cours) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1703719769287-BMV0FEHZ0V4CPPFVNB32/13_Amelie_Labourdette_DSC2077+copie.jpg KHTHṒN ( 2023 - en cours) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1703719786998-CY23AYQDTX3CELM44URL/14_Amelie_Labourdette_DSC2041+copie.jpg KHTHṒN ( 2023 - en cours) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1703719938218-L3BVBEKA6HWUGU3IN1LO/15_Amelie_Labourdette_DSC2105+copie.jpg KHTHṒN ( 2023 - en cours) 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en cours) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1703719957439-75PIAJTN11JNJMB12NOI/21_Amelie_Labourdette_DSC2143.jpg KHTHṒN ( 2023 - en cours) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1703720102513-S8JJUR7YUMDECFCMX57Q/25_Amelie_Labourdette_stalagmite6+copie+BIS+copie-2.jpg KHTHṒN ( 2023 - en cours) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1703719546992-UN4E7W7DNKAVW726D4R1/1_Amelie_Labourdette_DSC2676.jpg KHTHṒN ( 2023 - en cours) http://www.amelie-labourdette.com/traces-dune-occupation-humaine-copy daily 0.75 2026-03-18 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/6be794e0-8d25-449c-a40b-f789132ff03f/_Amelie_Labourdette_Triptyque-1-recadre-copie.jpg Traces d’une Occupation Humaine – Triptyque sur Fragments de Pierre Calcaire [2023] - Make it stand out Whatever it is, the way you tell your story online can make all the difference. 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https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1701790645374-7LX4DWMYWPTCGLXCAT9N/Amelie_Labourdette_lire-les-lignes-du-monde_Triptyque-A.jpg Traces d’une Occupation Humaine – Triptyque sur Fragments de Pierre Calcaire [2023] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1701790287792-GJTPV1SVV9QGXUCV6SEB/Amelie_Labourdette_lire-les-lignes-du-monde_Triptyque-A-close-up.jpg Traces d’une Occupation Humaine – Triptyque sur Fragments de Pierre Calcaire [2023] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1701790645313-9JITXTCZAZ38HFDE0P8K/Amelie_Labourdette_lire-les-lignes-du-monde_Triptyque-B.jpg Traces d’une Occupation Humaine – Triptyque sur Fragments de Pierre Calcaire [2023] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1701790299234-N8V72KTPV8C79EFQ0MRF/Amelie_Labourdette_lire-les-lignes-du-monde_Triptyque-B-close-up.jpg Traces d’une Occupation Humaine – Triptyque sur Fragments de Pierre Calcaire [2023] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1701790734632-JIOYHIXFJ4GEDRIVOU92/Amelie_Labourdette_lire-les-lignes-du-monde_Triptyque-C.jpg Traces d’une Occupation Humaine – Triptyque sur Fragments de Pierre Calcaire [2023] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1716836997664-D4K3F3RMDCZXGMYRL8AG/_FJSR9865_HD-photo-Gregory-Copitet-RECADRE.jpg Traces d’une Occupation Humaine – Triptyque sur Fragments de Pierre Calcaire [2023] - Démarquez-vous Quel que soit le cas, la façon dont vous racontez votre histoire en ligne peut faire toute la différence. http://www.amelie-labourdette.com/triptyque-sur-fragments-de-pierre-calcaire-copy daily 0.75 2026-03-19 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/b3274eac-d573-4043-9624-2ba03fc1554b/Triptyque-Atmosphere-Vers-2-recadre+OK.jpg Traces d’une Occupation Humaine – Triptyque Atmosphères [2023] - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.amelie-labourdette.com/new-page-96 daily 0.75 2026-02-24 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1716836959296-N090I3SGBRYI5A26E2F0/FJSR9862_HD-photo-Gregory-Copitet.jpg Salon unRepresented by a ppr oc he, 2024. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1716836997664-D4K3F3RMDCZXGMYRL8AG/_FJSR9865_HD-photo-Gregory-Copitet-RECADRE.jpg Salon unRepresented by a ppr oc he, 2024. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717611173630-85S2KJ8QM0Z0BAK0H3UP/4_FJSR9836_WEB+-+photo+%C2%A9+Gregory+Copitet.jpg Salon unRepresented by a ppr oc he, 2024. http://www.amelie-labourdette.com/new-page-69 daily 0.75 2026-02-24 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1716834375602-FLWMG3MQ5PZ9BXFOCC1Q/_Amelie_Labourdette_lire-les-lignes-du-monde_Triptyque-1.jpg Lire les lignes du monde / PhotoSaintGermain,2023 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la poussière, Le Lieu Unique, 2018 http://www.amelie-labourdette.com/nouvelle-page daily 0.75 2026-02-24 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1551801825277-SVUWOVWTZZH98JAKMJTL/_DSC9739-copie-1.jpg MÉTAXU : Le séjour des formes, B'chira Art Center, 2017 - Démarquez-vous Quel que soit le cas, la façon dont vous racontez votre histoire en ligne peut faire toute la différence. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1551820892359-R75TU5JIZO5T4JIV2S5L/UNDER-FB-WEBSITE.png MÉTAXU : Le séjour des formes, B'chira Art Center, 2017 - Démarquez-vous Quel que soit le cas, la façon dont vous racontez votre histoire en ligne peut faire toute la différence. http://www.amelie-labourdette.com/nouvelle-page-68 daily 0.75 2026-02-24 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1551814053702-GSVL9H43K9NER8NR3WCQ/GTB_Empire-of-Dust_eCard.png Empire of Dust, GALERIE BIGAIGNON, 2017 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RDV, 2015 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444069926443-JE4M58JOOTJIFHH1EUHU/amelie_labourdette_empire_of-dust_galerieRDV-3.jpg Empire of dust, GALERIE RDV, 2015 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444844721504-9QX42CMDSL8RXJ59TTFK/amelie_labourdette_empire_of-dust_galerieRDV-P12.jpg Empire of dust, GALERIE RDV, 2015 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444069965163-7T7FNW0LSXJ4QS09SB00/amelie_labourdette_empire_of-dust_galerieRDV-10.jpg Empire of dust, GALERIE RDV, 2015 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444069933600-7VR7MFRE23MDKUXTXETK/amelie_labourdette_empire_of-dust_galerieRDV-4.jpg Empire of dust, GALERIE RDV, 2015 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444851989676-9X1PB4C4JO1KO761S5KY/amelie_labourdette_empire_of-dust_galerieRDV-2.jpg Empire of dust, GALERIE RDV, 2015 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2023 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717604575197-2VVSSWM4K0TPPZVPEM9P/Galerie-Robet-Dantec-11.jpg Concordance des temps, Galerie Robet Dantec, 2023 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717604574631-32TPSW6MMLVNGUA3JVF2/Galerie-Robet-Dantec-10.jpg Concordance des temps, Galerie Robet Dantec, 2023 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717604953616-PKNZBWRT203BZLE07P86/Galerie-Robet-Dantec-07.jpg Concordance des temps, Galerie Robet Dantec, 2023 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717599296724-MAMVNZURJ943UZ0Z07IG/Carton_Concordance-des-temps_BAT-1.jpg Concordance des temps, Galerie Robet Dantec, 2023 http://www.amelie-labourdette.com/nouvelle-page-77 daily 0.75 2026-02-24 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770772194986-IUTR1BP35VU9RVL24153/amelie-labourdette-tirennale-guangzhou-1.jpg NEO–ANALOG / Guangzhou Image Triennial 2025 – Ecology of Sensitivity https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770772299645-S7LXW35L0XWRXBQ7SQM3/amelie-labourdette-tirennale-guangzhou-4.jpg NEO–ANALOG / Guangzhou Image Triennial 2025 – Ecology of Sensitivity https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770772304960-8SBERW0GTCDWOTET3ZN8/amelie-labourdette-tirennale-guangzhou-3.jpg NEO–ANALOG / Guangzhou Image Triennial 2025 – Ecology of Sensitivity https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770772213044-DLU5Z8MXNDV37DF96U7U/amelie-labourdette-tirennale-guangzhou-2.jpg NEO–ANALOG / Guangzhou Image Triennial 2025 – Ecology of Sensitivity https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770906052779-F68PP4F0MGX2N6ZIP2YB/amelie-labourdette-tirennale-guangzhou-11.jpg NEO–ANALOG / Guangzhou Image Triennial 2025 – Ecology of Sensitivity https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770772510643-T7UI0DC3Q2THWSMC7IXC/amelie-labourdette-tirennale-guangzhou-8Bis.jpg NEO–ANALOG / Guangzhou Image Triennial 2025 – Ecology of Sensitivity https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770772482237-VKYSY6PYMVQZ5U6PBVZ4/amelie-labourdette-tirennale-guangzhou-7.jpg NEO–ANALOG / Guangzhou Image Triennial 2025 – Ecology of Sensitivity https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770772391223-GMZFIOF7UA4M3OCO9NWD/amelie-labourdette-tirennale-guangzhou-5.jpg NEO–ANALOG / Guangzhou Image Triennial 2025 – Ecology of Sensitivity https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770772600073-MLNK3AXQ66MJU5K281TL/amelie-labourdette-tirennale-guangzhou-9.jpg NEO–ANALOG / Guangzhou Image Triennial 2025 – Ecology of Sensitivity https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770772399284-P0ASR97B9V8I7JIET8JT/amelie-labourdette-tirennale-guangzhou-6.jpg NEO–ANALOG / Guangzhou Image Triennial 2025 – Ecology of Sensitivity https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770772636986-RQXNHF86H99P7A4Q1WKQ/amelie-labourdette-tirennale-guangzhou-10.jpg NEO–ANALOG / Guangzhou Image Triennial 2025 – Ecology of Sensitivity http://www.amelie-labourdette.com/nouvelle-page-48 daily 0.75 2026-02-24 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770917490016-75D7GDS12WE6H218OL1P/Triptyque-KHTHONE-teintes.jpg KHTHṒN - Galleria dei Cappuccini, Sicile, 2024 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770917485117-MT7ZGL1P9FOWVEMRTMNM/EXPO-ENNA-diptyque-Mouvement.jpg KHTHṒN - Galleria dei Cappuccini, Sicile, 2024 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770919875628-Z0A1UEROGVKC6FTQ3NV7/EXPO-ENNA2.jpg KHTHṒN - Galleria dei Cappuccini, Sicile, 2024 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770923526389-SZ1B287JDN3DWU0XKHYG/Capture+d%E2%80%99e%CC%81cran+2026-02-12+a%CC%80+20.03.14.png KHTHṒN - Galleria dei Cappuccini, Sicile, 2024 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770923539873-KPF56M7COFWREST58F8F/Capture+d%E2%80%99e%CC%81cran+2026-02-12+a%CC%80+20.04.58.png KHTHṒN - Galleria dei Cappuccini, Sicile, 2024 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770923536586-XQSBQV3DCD1CIDX3SWD0/Capture+d%E2%80%99e%CC%81cran+2026-02-12+a%CC%80+19.57.21.png KHTHṒN - Galleria dei Cappuccini, Sicile, 2024 http://www.amelie-labourdette.com/nouvelle-page-55 daily 0.75 2026-02-24 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770926134778-P4CLV3837GT2S349EUJ9/amelie_labourdette-ambrotypes-cabane-repli-1.jpg CABANE Repli - Plateforme, 2025 - Vue de l'exposition CABANE Repli Toile cosmique #02 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire ((36,3 x 42 cm, avec cadre)). Toile cosmique #01 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire (33,7 × 42 cm, avec cadre). Tirage réalisé en collaboration de Julie Laporte / @anthracite_lab https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770926141256-9FF8DTRS9PI0IBJORB7M/amelie_labourdette-ambrotypes-cabane-repli-2.jpg CABANE Repli - Plateforme, 2025 - Vue de l'exposition CABANE Repli Toile cosmique #04 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire (35 x 42 cm avec cadre). Toile cosmique #03 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire (33,7 × 42 cm avec cadre). https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770926165158-BO2BP33WXHZSV17KDZSH/amelie-labourdette-Ambrotype-cadre-Toile-cosmique-02.jpg CABANE Repli - Plateforme, 2025 - Toile cosmique #02 Ambrotype : Collodion humide sur verre (36,3 x 42 cm, avec cadre). Encadrement : Koto massif teinté ciré encre de Chine noire. Tirage réalisé en collaboration de Julie Laporte / @anthracite_lab https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770926193384-VEEOT8J3HFZNECK73DEG/amelie-labourdette-Ambrotype-cadre-Toile-cosmique-01.jpg CABANE Repli - Plateforme, 2025 - Toile cosmique #01 Ambrotype : Collodion humide sur verre (33,7 x 42 cm, avec cadre). Encadrement : Koto massif teinté ciré encre de Chine noire. Tirage réalisé en collaboration de Julie Laporte / @anthracite_lab https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770926198697-0B5Y3SBFIU5SG9HKTXD8/amelie-labourdette-Ambrotype-cadre-Toile-cosmique-04.jpg CABANE Repli - Plateforme, 2025 - Toile cosmique #04 Ambrotype : Collodion humide sur verre (35 x 42 cm, avec cadre). Encadrement : Koto massif teinté ciré encre de Chine noire. Tirage réalisé en collaboration de Julie Laporte / @anthracite_lab https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770926180861-W93LC9XJ3030CFMXR608/amelie-labourdette-Ambrotype-cadre-Toile-cosmique-03.jpg CABANE Repli - Plateforme, 2025 - Toile cosmique #03 Ambrotype : Collodion humide sur verre (33,7 x 42 cm, avec cadre). Encadrement : Koto massif teinté ciré encre de Chine noire. Tirage réalisé en collaboration de Julie Laporte / @anthracite_lab http://www.amelie-labourdette.com/accueil-copie-2 daily 1.0 2026-03-26 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/712c1c9b-424a-450f-bd09-9954167b765d/amelie-labourdette-ambrotype-6.jpg ACCUEIL - Démarquez-vous Nachleben [2025 - en cours] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/baf7312e-ee92-4fc3-a556-5c54a7ed0c1b/__amelie-labourdette-COSMIC-WEB-CADRE-02-0K-2.jpg ACCUEIL - Démarquez-vous Textura Mundi [2025 - en cours] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/8f914131-3e49-4388-943a-632656f6f3ec/_Amelie_Labourdette_Triptyque-1-recadre-copie.jpg ACCUEIL Traces d’une occupation humaine – Triptyque sur fragments de pierre calcaire [2023] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/6fe3451b-d1ee-4ce1-8a56-303426174f40/3_Amelie_Labourdette_DSC2687+BIS.jpg ACCUEIL KHTHṒN ( 2023 - en cours) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/f804c62d-6220-4f07-ac1b-e514b8655db0/Triptyque-Atmosphere-Vers-2-recadre+OK.jpg ACCUEIL - Make it stand out Traces d’une occupation humaine – Triptyque Atmosphères [2023] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/fc8811fc-94e9-4304-a9e8-d4d827392fec/amelie_labourdette_03.jpg ACCUEIL Un pur esprit s'accroît sous l'écorce des pierres ( 2021 - 2022) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/eebf1b32-3886-42a5-b2a0-f43fafcf77f9/KOSMOS_21_Chetro+Ketli_cultureAnasazi+copie.jpg ACCUEIL KÓSMOS - Pluralité des mondes comme bibliothèque Aby-Warburguienne [2017- 2019] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1448275942798-YKDPBYVS5V82H9XKK5UR/Dessin01.jpg ACCUEIL - Make it stand out État de possibles [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1552151900963-V73J6LIZ1ROHR61TZ4ZS/17C5+redeyef-vestiges-cite%CC%81-colones.jpg ACCUEIL Traces d'une occupation humaine [2016- 2018] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912869166-01SDAMSM2GKG6NAPPTGM/03_amelie_labourdette_Non_finito_photographie_art_contemporain.jpg ACCUEIL - Make it stand out Non finito [2014] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444912498416-KTL3CMUETUSEUS8XO6XR/01_amelie_labourdette_empire_of_dust_photographie_art_contemporain.jpg ACCUEIL - Make it stand out Empire of dust [2015] https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/29f4aa37-8325-40f9-8bc6-fc0d2f1f46c3/NEO%E2%80%93ANALOG%2C+Guangzhou+Image+Triennial+2025+%E2%80%93+Ecology+of+Sensitivity ACCUEIL - Démarquez-vous NEO–ANALOG / Guangzhou Image Triennial 2025 – Ecology of Sensitivity https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/62627f87-376f-4f33-872b-bc752f01839c/amelie_labourdette-ambrotypes-cabane-repli-1-recadre.jpg ACCUEIL - Démarquez-vous Cabane Repli : exposition collective à Plateforme, 2025. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/e8a84069-9c42-48a1-8a0a-21a0b0801d8a/FJSR9862_HD-photo-Gregory-Copitet.jpg ACCUEIL - Démarquez-vous unRepresented by a ppr oc he, 2nd edition, Le Molière, Paris, 2024. - https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/93520e36-bf83-4b6d-ae56-ad3171891574/Triptyque-KHTHONE-teintes.jpg ACCUEIL - Démarquez-vous KHTHṒN - Galleria dei Cappuccini, Enna, Sicile, 2024. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1716834085952-U7PPOIG86GEZNUQ3PP3O/_Amelie_Labourdette_vue-d%27exposition_lire-les-lignes-du-monde.jpg ACCUEIL - Démarquez-vous Lire les lignes du monde : Exposition collective, Festival PhotoSaintGermain, GALERIE DU CROUS, PARIS, 2023. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1700667850048-UG4N6WXSCPV6E47ND6GY/EXPO+GALERIE+LE+LIEU+10+MO-19.jpg ACCUEIL - Démarquez-vous KÓSMOS : Exposition personnelle, GALERIE PIERRE TAL-COAT, dans le cadre Rencontres Photographiques de Lorient (Quand les nuages se taisent), 2023. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1676656916837-1H32T37UI29LSVXHDHXJ/un_pur_esprit_s_accroit_sous_l_ecorce_des_pierres+_amelie_+labourdette_PANO-EXPO-1.jpg ACCUEIL - Démarquez-vous Un pur esprit s'accroît sous l'écorce des pierres : Exposition personnelle, GALERIE MICHEL JOURNIAC, PARIS, 2022. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717602979389-HY0A9UPZ07ZYQSTIPF4F/Galerie-Robet-Dantec-01.jpg ACCUEIL - Démarquez-vous Concordance des temps :Exposition collective à la Galerie Robet Dantec 2023. - https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1557065862055-QWEOO4U81PWASJWIJ9G2/MUR-2.jpg ACCUEIL - Démarquez-vous Cet autre monde qui est aussi le nôtre (KÓSMOS): Exposition personnelle, OPEN SCHOOL GALLERY, École des Beaux-Arts de Nantes, 2019. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/2b8d4e0c-d275-4698-8540-e4230c6acd42/00.jpg ACCUEIL - Démarquez-vous Traces d’une occupation humaine : Exposition personnelle, GALERIE LE CARRÉ D’ART - Centre Culturel Pôle Sud, Chartres de Bretagne, 2018. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717091313956-FYZUFHOPYCAKY5W24HIP/Amelie_Labourdette_Impression+photographiques_pierre+calcaire_Lieu+Unique.jpg ACCUEIL - Démarquez-vous Avant la poussière (Under The Sand show#3) : Exposition collective, Lieu Unique, Nantes, 2018. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1551805931128-RNWQ6H09R08EZ00ON6A7/expo4.jpg ACCUEIL - Démarquez-vous Traces d'une occupation humaine : Exposition personnelle, CHEZ ARTHUR ET JANINE, Rencontres d'Arles, 2018. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1551795298319-MK7AK01G9I1O32PKNWO5/larger6-10.jpg ACCUEIL - Démarquez-vous Empire of dust : Exposition personnelle, GALERIE BIGAIGNON, Paris, 2017. - https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1551801825277-SVUWOVWTZZH98JAKMJTL/_DSC9739-copie-1.jpg ACCUEIL - Démarquez-vous MÉTAXU : Le séjour des formes (Under The Sand show #2) : Exposition collective, B'chira Art Center, Tunis, Tunisie, 2017. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444069925999-M7SG4XR6KRWAP2ZBKY5B/amelie_labourdette_empire_of-dust_galerieRDV-1.jpg ACCUEIL - Démarquez-vous Empire of dust: Exposition personnelle, Galerie RDV, la Quinzaine Photographique Nantaise, 2015. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1a2fc727-15cd-4773-acae-b1deafff8b2c/EXPO+NUCLEUS-05537.jpg ACCUEIL - Démarquez-vous NUCLÉUS (Under The Sand show #1),: Exposition collective, L’ATELIER, Nantes, 2016. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1444913562294-R0HISRFY04OKU0O3I7YZ/01_amelie_labourdette_exposition_NON_FINITO.jpg ACCUEIL - Démarquez-vous Non finito : Exposition personnelle, Centre d’Art de l’Île Moulinsart, 2014.. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/59edd939-da17-4940-ba46-528b3232a1cf/IMG_5096ok.jpg ACCUEIL - Démarquez-vous Antique Future, : Exposition collective, Satellite Spirite Art Fair / Galerie Bigaignon, Paris, 2016. http://www.amelie-labourdette.com/news-presse-copie daily 0.75 2026-03-14 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1773523580394-1ZT71NUUL9W1Z6CUYXGZ/TC15_CP_Finalistes_FR_VV-1.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1773523593134-CH01S8OKSYGIB9U6M9NR/TC15_CP_Finalistes_FR_VV-4.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1773523623229-67TK3FYP4JFEP146JPQ7/Amelie-Labourdette-Triptyque-V-01.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770937066650-INRNVYEI863PJJ44KROA/640.gif NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/e69f8fe3-404f-480b-96f4-106aa7a18225/amelie-labourdette-tirennale-guangzhou-1.jpg NEWS / PRESSE - Démarquez-vous Installation view of NEO–ANALOG – Expanded Photography in the Post-Digital Era, a group exhibition curated by Michel Poivert, presented within the Guangzhou Image Triennial 2025 – Ecology of Sensitivity. Ten large-format Piezography prints from the series A Pure Spirit Grows Beneath the Bark of Stones are displayed in the exhibition’s camera obscura space. Guangdong Museum of Art – Bai’etan Greater Bay Area Art Center, Guangzhou, China. 19 December 2025 – 5 May 2026. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770949712211-XBD3JZ40OMH4YTFCP898/about-gdmoa-1.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935861048-KKVGJ7VMPWYJEQ7LK66D/IMG_1906.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935857932-7BJERBPQIJ8ZN6AP4BPH/IMG_1763.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935859397-X99BJPH7IGGQ82XU4YS2/IMG_1905.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935862321-E1RXND0GWG83RNALD6W2/IMG_1907.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935861100-HAQKV76K9NE0BDVXRR4Y/IMG_1842.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/a7d69e48-d16f-4490-8efc-ec4bb6b86163/amelie-labourdette-Guangzhou-Image-Triennial-2025-Ecology-of-Sensitivity.jpg NEWS / PRESSE - Démarquez-vous Guangzhou Photography Triennial 2025, Guangdong Museum of Art / 广州影像三年展 2025, 广东美术馆馆 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770932155353-S354CPTPCSQ1V1VH89LM/Capture+d%E2%80%99e%CC%81cran+2026-02-12+a%CC%80+22.11.11.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770932204237-XJ86VJS4T26RGR2TAOD6/amelie_labourdette-ambrotypes-cabane-repli-1.jpg NEWS / PRESSE - Vue de l'exposition CABANE Repli Toile cosmique #02 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire ((36,3 x 42 cm, avec cadre)). Toile cosmique #01 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire (33,7 × 42 cm, avec cadre). Tirage réalisé en collaboration de Julie Laporte / @anthracite_lab https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770932201868-9I8XYX5LQ96254TNBQ9I/amelie_labourdette-ambrotypes-cabane-repli-2.jpg NEWS / PRESSE - Vue de l'exposition CABANE Repli Toile cosmique #04 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire ((35 x 42 cm, avec cadre)). Toile cosmique #03 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire (33,7 × 42 cm, avec cadre). Tirage réalisé en collaboration de Julie Laporte / @anthracite_lab https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610965156-XO46DASICICUE9OFVVAI/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-1.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610966982-JRD79QHV21O3WA8BX11E/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-2.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610975162-8PFPYTJACGQSU59RRT9T/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-8.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610974229-DQJK9S8YML6F5ZLDV80R/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-10.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610978837-8WG96K8PTTS7ROLFP5LV/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-11.jpg NEWS / PRESSE 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https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770923279038-0ALB43IX0TSJMZJ0I5EL/Capture+d%E2%80%99e%CC%81cran+2026-02-12+a%CC%80+20.03.14.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770923283532-H4ZTJUHIS0F1KZTBQ2VB/Capture+d%E2%80%99e%CC%81cran+2026-02-12+a%CC%80+20.04.58.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770923281241-H8WUWUX481294UA25VWD/Capture+d%E2%80%99e%CC%81cran+2026-02-12+a%CC%80+19.57.21.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/b97c7916-9895-4b74-ac0b-899281a01f68/Triptyque-KHTHON NEWS / PRESSE - Démarquez-vous Quel que soit le cas, la façon dont vous racontez votre histoire en ligne peut faire toute la différence. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610466340-J3DYH7VUMLQM2XUTP39K/DossierPresse-PhotoSaintGermain-2023-19.jpg NEWS / PRESSE 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https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717544555963-IRQWTF8IRHRJH78GILCP/KHTHON_EXPOSITION_RESIDENCE_AGIRE+01.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717544559566-GV3SVKU1DX37IMRCK10T/KHTHON_EXPOSITION_RESIDENCE_AGIRE+03.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717608247454-JLP5XLKTC1VS3WY51MCM/KHTHON_RESIDENCE_AGIRE+01.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717608295253-QUVYN6M7VE0E7NMF29D6/KHTHON_RESIDENCE_AGIRE+04.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717608295054-BA48L6K1V59RVBAM8DIL/KHTHON_RESIDENCE_AGIRE+03.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717608300922-I3TYKQFCAXSMMEC1G8M5/KHTHON_RESIDENCE_AGIRE+05.png NEWS / PRESSE 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https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717609362966-WWR0Y0E2WGXKU1MRILOC/IMG_7230.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717609364431-MLPLA90PIKAREJUEQA0B/IMG_7232.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717599296724-MAMVNZURJ943UZ0Z07IG/Carton_Concordance-des-temps_BAT-1.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717602979389-HY0A9UPZ07ZYQSTIPF4F/Galerie-Robet-Dantec-01.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717602983346-HLQXMJGEDS0E4BRALK25/Galerie-Robet-Dantec-02.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717602988847-VVPVPNR2XILP8R0GRI3V/Galerie-Robet-Dantec-05.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717604574631-32TPSW6MMLVNGUA3JVF2/Galerie-Robet-Dantec-10.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717602992500-GV05UBQTQYJDI3ILA3QM/Galerie-Robet-Dantec-07.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717604575197-2VVSSWM4K0TPPZVPEM9P/Galerie-Robet-Dantec-11.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1666653173418-MTFTA2QBUREMJ218NRTG/CARTON-INVITATION_Un-pur-esprit.jpg NEWS / PRESSE - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1666653933366-OMOZH1QUVUUUR4ALDAKZ/03.jpg NEWS / PRESSE - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1600268052231-QH29MVZ0NKV419KS3E1X/Capture+d%E2%80%99e%CC%81cran+2020-09-16+a%CC%80+16.52.07.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1600268080405-LE58TU3XB6OW73VX3MUE/Capture+d%E2%80%99e%CC%81cran+2020-09-16+a%CC%80+16.52.32.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1600268111428-1HDWYIRRPRGI2OZ8DYPO/Capture+d%E2%80%99e%CC%81cran+2020-09-16+a%CC%80+16.52.54.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1600268141528-COASLMJQ0HGCH8SDNM1G/Capture+d%E2%80%99e%CC%81cran+2020-09-16+a%CC%80+16.53.12.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1600268165921-M4EXYQ9TAVAI7J4J7B5X/Capture+d%E2%80%99e%CC%81cran+2020-09-16+a%CC%80+16.53.26.png NEWS / PRESSE 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PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1551821609645-8GVBMHIHMZ0WC3LZ3S9B/invitation_amelie_labourdette_WEB-1.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1551821610217-E0Q05Q0XDFZSYQY6U6P8/invitation_amelie_labourdette_WEB-2.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1551821616740-SRYF4CHAW7SROPXMUG3T/invitation_amelie_labourdette_WEB-3.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1551821616145-B5IJL5913Q8DQQ4NPLRZ/invitation_amelie_labourdette_WEB-4.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1551823418411-U8OG02Y73VGGVMLL09QY/Capture+d%E2%80%99e%CC%81cran+2019-03-05+a%CC%80+23.01.44.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1551822389843-9XTN1ZSCKXVLJIABG8VD/Capture+d%E2%80%99e%CC%81cran+2019-03-05+a%CC%80+22.44.58.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1551822156671-C8CJ69KXAAWBSZDKLYKZ/Capture+d%E2%80%99e%CC%81cran+2019-03-05+a%CC%80+22.42.16.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1551821881122-XKKZNHAXIJZE13E5KBRZ/Capture+d%E2%80%99e%CC%81cran+2019-03-05+a%CC%80+22.36.25.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1551822760834-C4CJFIX5U47TWXNZ497H/Capture+d%E2%80%99e%CC%81cran+2019-03-05+a%CC%80+22.51.23.png NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1551821304190-IUS0YQ6V9SG6JHD1W828/Expo_Trace-d%27une-occupation-humaine_Flyer-1.jpg NEWS / PRESSE https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1551821285193-HG9EH9A4GRPQ0YZBVPLT/Expo_Trace-d%27une-occupation-humaine_Flyer-2.jpg NEWS / PRESSE 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https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/e69f8fe3-404f-480b-96f4-106aa7a18225/amelie-labourdette-tirennale-guangzhou-1.jpg NEWS / PRESSE (copie) - Démarquez-vous Installation view of NEO–ANALOG – Expanded Photography in the Post-Digital Era, a group exhibition curated by Michel Poivert, presented within the Guangzhou Image Triennial 2025 – Ecology of Sensitivity. Ten large-format Piezography prints from the series A Pure Spirit Grows Beneath the Bark of Stones are displayed in the exhibition’s camera obscura space. Guangdong Museum of Art – Bai’etan Greater Bay Area Art Center, Guangzhou, China. 19 December 2025 – 5 May 2026. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935862720-2ELAB4R3R86TVJLOXXY0/IMG_2330.JPG NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935861048-KKVGJ7VMPWYJEQ7LK66D/IMG_1906.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935857932-7BJERBPQIJ8ZN6AP4BPH/IMG_1763.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935859397-X99BJPH7IGGQ82XU4YS2/IMG_1905.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935862321-E1RXND0GWG83RNALD6W2/IMG_1907.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935861100-HAQKV76K9NE0BDVXRR4Y/IMG_1842.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770932155353-S354CPTPCSQ1V1VH89LM/Capture+d%E2%80%99e%CC%81cran+2026-02-12+a%CC%80+22.11.11.png NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770932204237-XJ86VJS4T26RGR2TAOD6/amelie_labourdette-ambrotypes-cabane-repli-1.jpg NEWS / PRESSE (copie) - Vue de l'exposition CABANE Repli (copie) Toile cosmique 02 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire (H 36,4 x L 30,5 x P 3,5 cm avec cadre). Toile cosmique 01 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire (H 36,4 x L 28,2 x P 3,5 cm avec cadre). https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770932201868-9I8XYX5LQ96254TNBQ9I/amelie_labourdette-ambrotypes-cabane-repli-2.jpg NEWS / PRESSE (copie) - Vue de l'exposition CABANE Repli (copie) Toile cosmique 04 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire (H 36,4 x L 30,5 x P 3,5 cm avec cadre). Toile cosmique 03 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire (H 36,4 x L 28,2 x P 3,5 cm avec cadre). https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610965156-XO46DASICICUE9OFVVAI/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-1.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610966982-JRD79QHV21O3WA8BX11E/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-2.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610975162-8PFPYTJACGQSU59RRT9T/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-8.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610974229-DQJK9S8YML6F5ZLDV80R/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-10.jpg NEWS / PRESSE (copie) 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votre histoire en ligne peut faire toute la différence. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770923279038-0ALB43IX0TSJMZJ0I5EL/Capture+d%E2%80%99e%CC%81cran+2026-02-12+a%CC%80+20.03.14.png NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770923283532-H4ZTJUHIS0F1KZTBQ2VB/Capture+d%E2%80%99e%CC%81cran+2026-02-12+a%CC%80+20.04.58.png NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770923281241-H8WUWUX481294UA25VWD/Capture+d%E2%80%99e%CC%81cran+2026-02-12+a%CC%80+19.57.21.png NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/b97c7916-9895-4b74-ac0b-899281a01f68/Triptyque-KHTHON NEWS / PRESSE (copie) - Démarquez-vous Quel que soit le cas, la façon dont vous racontez votre histoire en ligne peut faire toute la différence. 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NEWS / PRESSE (copie) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1600268052231-QH29MVZ0NKV419KS3E1X/Capture+d%E2%80%99e%CC%81cran+2020-09-16+a%CC%80+16.52.07.png NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1600268080405-LE58TU3XB6OW73VX3MUE/Capture+d%E2%80%99e%CC%81cran+2020-09-16+a%CC%80+16.52.32.png NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1600268111428-1HDWYIRRPRGI2OZ8DYPO/Capture+d%E2%80%99e%CC%81cran+2020-09-16+a%CC%80+16.52.54.png NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1600268141528-COASLMJQ0HGCH8SDNM1G/Capture+d%E2%80%99e%CC%81cran+2020-09-16+a%CC%80+16.53.12.png NEWS / PRESSE (copie) 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PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1461592168207-8NRYOT6EVTVDY0OOMLZG/image-asset.jpeg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1461592570423-1QGCCTFBX7EUP5B69ZVO/image-asset.jpeg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1465230035216-2PVI7UE048C8RBN49IM7/image-asset.png NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1465230094869-HSMONIRV4X8GB2TR0TEK/image-asset.png NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1461592915684-L88JZ8LKK7QQ832CICHD/image-asset.jpeg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1461593833760-1GJURV7C4X289XURL63Y/image-asset.jpeg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1440607745464-8Q5W2X3NJUMFU099XA2W/Carton-exposition-Empire-of-dust.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1436977688933-UCDK15I8BAY80O4UA4KN/image-asset.jpeg NEWS / PRESSE (copie) http://www.amelie-labourdette.com/news-3 daily 0.75 2026-02-12 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770937066650-INRNVYEI863PJJ44KROA/640.gif NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/e69f8fe3-404f-480b-96f4-106aa7a18225/amelie-labourdette-tirennale-guangzhou-1.jpg NEWS / PRESSE (copie) - Démarquez-vous Installation view of NEO–ANALOG – Expanded Photography in the Post-Digital Era, a group exhibition curated by Michel Poivert, presented within the Guangzhou Image Triennial 2025 – Ecology of Sensitivity. Ten large-format Piezography prints from the series A Pure Spirit Grows Beneath the Bark of Stones are displayed in the exhibition’s camera obscura space. Guangdong Museum of Art – Bai’etan Greater Bay Area Art Center, Guangzhou, China. 19 December 2025 – 5 May 2026. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935862720-2ELAB4R3R86TVJLOXXY0/IMG_2330.JPG NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935861048-KKVGJ7VMPWYJEQ7LK66D/IMG_1906.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935857932-7BJERBPQIJ8ZN6AP4BPH/IMG_1763.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935859397-X99BJPH7IGGQ82XU4YS2/IMG_1905.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935862321-E1RXND0GWG83RNALD6W2/IMG_1907.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935861100-HAQKV76K9NE0BDVXRR4Y/IMG_1842.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770932155353-S354CPTPCSQ1V1VH89LM/Capture+d%E2%80%99e%CC%81cran+2026-02-12+a%CC%80+22.11.11.png NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770932204237-XJ86VJS4T26RGR2TAOD6/amelie_labourdette-ambrotypes-cabane-repli-1.jpg NEWS / PRESSE (copie) - Vue de l'exposition CABANE Repli (copie) Toile cosmique 02 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire (H 36,4 x L 30,5 x P 3,5 cm avec cadre). Toile cosmique 01 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire (H 36,4 x L 28,2 x P 3,5 cm avec cadre). https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770932201868-9I8XYX5LQ96254TNBQ9I/amelie_labourdette-ambrotypes-cabane-repli-2.jpg NEWS / PRESSE (copie) - Vue de l'exposition CABANE Repli (copie) Toile cosmique 04 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire (H 36,4 x L 30,5 x P 3,5 cm avec cadre). Toile cosmique 03 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire (H 36,4 x L 28,2 x P 3,5 cm avec cadre). https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610965156-XO46DASICICUE9OFVVAI/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-1.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610966982-JRD79QHV21O3WA8BX11E/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-2.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610975162-8PFPYTJACGQSU59RRT9T/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-8.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610974229-DQJK9S8YML6F5ZLDV80R/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-10.jpg NEWS / PRESSE (copie) 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PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1461592168207-8NRYOT6EVTVDY0OOMLZG/image-asset.jpeg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1461592570423-1QGCCTFBX7EUP5B69ZVO/image-asset.jpeg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1465230035216-2PVI7UE048C8RBN49IM7/image-asset.png NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1465230094869-HSMONIRV4X8GB2TR0TEK/image-asset.png NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1461592915684-L88JZ8LKK7QQ832CICHD/image-asset.jpeg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1461593833760-1GJURV7C4X289XURL63Y/image-asset.jpeg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1440607745464-8Q5W2X3NJUMFU099XA2W/Carton-exposition-Empire-of-dust.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1436977688933-UCDK15I8BAY80O4UA4KN/image-asset.jpeg NEWS / PRESSE (copie) http://www.amelie-labourdette.com/news-4 daily 0.75 2026-02-12 https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770937066650-INRNVYEI863PJJ44KROA/640.gif NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/e69f8fe3-404f-480b-96f4-106aa7a18225/amelie-labourdette-tirennale-guangzhou-1.jpg NEWS / PRESSE (copie) - Démarquez-vous Installation view of NEO–ANALOG – Expanded Photography in the Post-Digital Era, a group exhibition curated by Michel Poivert, presented within the Guangzhou Image Triennial 2025 – Ecology of Sensitivity. Ten large-format Piezography prints from the series A Pure Spirit Grows Beneath the Bark of Stones are displayed in the exhibition’s camera obscura space. Guangdong Museum of Art – Bai’etan Greater Bay Area Art Center, Guangzhou, China. 19 December 2025 – 5 May 2026. https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935862720-2ELAB4R3R86TVJLOXXY0/IMG_2330.JPG NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935861048-KKVGJ7VMPWYJEQ7LK66D/IMG_1906.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935857932-7BJERBPQIJ8ZN6AP4BPH/IMG_1763.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935859397-X99BJPH7IGGQ82XU4YS2/IMG_1905.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935862321-E1RXND0GWG83RNALD6W2/IMG_1907.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770935861100-HAQKV76K9NE0BDVXRR4Y/IMG_1842.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770932155353-S354CPTPCSQ1V1VH89LM/Capture+d%E2%80%99e%CC%81cran+2026-02-12+a%CC%80+22.11.11.png NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770932204237-XJ86VJS4T26RGR2TAOD6/amelie_labourdette-ambrotypes-cabane-repli-1.jpg NEWS / PRESSE (copie) - Vue de l'exposition CABANE Repli (copie) Toile cosmique 02 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire (H 36,4 x L 30,5 x P 3,5 cm avec cadre). Toile cosmique 01 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire (H 36,4 x L 28,2 x P 3,5 cm avec cadre). https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1770932201868-9I8XYX5LQ96254TNBQ9I/amelie_labourdette-ambrotypes-cabane-repli-2.jpg NEWS / PRESSE (copie) - Vue de l'exposition CABANE Repli (copie) Toile cosmique 04 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire (H 36,4 x L 30,5 x P 3,5 cm avec cadre). Toile cosmique 03 Ambrotype : Collodion humide sur verre Encadrement : Koto massif teinté ciré encre de Chine noire (H 36,4 x L 28,2 x P 3,5 cm avec cadre). https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610965156-XO46DASICICUE9OFVVAI/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-1.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610966982-JRD79QHV21O3WA8BX11E/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-2.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610975162-8PFPYTJACGQSU59RRT9T/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-8.jpg NEWS / PRESSE (copie) https://images.squarespace-cdn.com/content/v1/547ca7d6e4b0ab191e9e7eed/1717610974229-DQJK9S8YML6F5ZLDV80R/unRepresented-by-a-ppr-oc-he-2024_Bilan_2e-edition-FR-10.jpg NEWS / PRESSE (copie) 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